"Chromatics" by Ran Blake, Jaki Byard had its release date on December 31, 1981. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ran Blake, Jaki Byard's "Improvisations" album is number 3 out of 7. On top of that, Italy appears to be the country where this track was created. Chromatics is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Chromatics by Ran Blake, Jaki Byard to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bandoska | Makoto Ozone | E♭ Major | 0 | 5B | 111 BPM | ||
| Understand | Austyn Ziemann | A Minor | 1 | 8A | 118 BPM | ||
| Church on Russell Street (with Ran Blake) | Jeanne Lee, Ran Blake | C Major | 1 | 8B | 81 BPM | ||
| Late Night Whispers | NAISKOx | E♭ Major | 0 | 5B | 111 BPM | ||
| A Space And Time Of Its Own | Music Without Films | D♭ Minor | 2 | 12A | 153 BPM | ||
| I Should Care | Enrico Rava, Ran Blake | C Major | 1 | 8B | 95 BPM | ||
| The New AGE | AGE, Gustav Lundgren, Adrien Sanchez, Édouard Pennes, Jean Dousteyssier, Guilhem Flouzat, Maxime Sanchez | E♭ Major | 0 | 5B | 111 BPM | ||
| Because | Anthony Wilson Nonet | C Major | 5 | 8B | 142 BPM | ||
| Before the Train | Kenneth James Trio | E♭ Major | 0 | 5B | 111 BPM | ||
| Some | Anat Fort Trio | C Major | 2 | 8B | 170 BPM | ||
| Temporal Cubic - LIVE | Shun Ishiwaka, 高橋佑成, マーティ・ホロベック | D♭ Major | 4 | 3B | 96 BPM | ||
| Authentic Taste | Haeun Joo | E♭ Major | 0 | 5B | 111 BPM | ||
| He's Got the Whole World in His Hands | Ran Blake, Jeanne Lee | G Major | 0 | 9B | 112 BPM | ||
| Morning Brews | Breakfast Jazz | C Major | 0 | 8B | 80 BPM | ||
| It's Alright, Ma (I'm Only Bleeding) | Dominique Eade, Ran Blake | E Minor | 1 | 9A | 133 BPM | ||
| Promise Me | Suzan Veneman, Timothy Banchet | A♭ Minor | 2 | 1A | 122 BPM | ||
| Good Influence | Manu Katché | C Major | 2 | 8B | 88 BPM | ||
| Slow Street | Lena Vibes | C Minor | 0 | 5A | 79 BPM | ||
| THE END OF A LOVE AFFAIR | Luca Mannutza, Paolo Recchia, Jordan Corda, Daniele Sorrentino, Sasha Mashin | A♭ Major | 4 | 4B | 106 BPM | ||
| Tulip Sky | Chris Newbury, Ingrid Jensen | E♭ Major | 0 | 5B | 111 BPM | ||
| Solitude Hidden Track | Amanda Finn | E♭ Major | 3 | 5B | 94 BPM | ||
| Jesse | Xavi Torres, Jesse Van Ruller | G Major | 1 | 9B | 97 BPM | ||
| The Bet (Interlude) | Matheus Fonseca, Daniel Bitrán Donath, Ran Blake | D♭ Minor | 4 | 12A | 134 BPM | ||
| Take the "A" Train | Ran Blake, Jeanne Lee | D♭ Major | 2 | 3B | 94 BPM | ||
| Picasso | Coleman Hawkins | D♭ Major | 1 | 3B | 82 BPM |