"Collateral (Main Theme)" by Silver Screen Sound Machine had its release date on May 22, 2020. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Collateral (Main Theme)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Watching the Detectives by Silver Screen Sound Machine. The song's track number on the album is #9 out of 18 tracks. Based on our statistics, Collateral (Main Theme)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Collateral (Main Theme) by Silver Screen Sound Machine has a tempo of 138 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Collateral (Main Theme) being at 138 BPM, the half-time would be 69 BPM with a double-time of 276 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| California Dreaming (From "Once Upon a Time in Hollywood") - Epic Cover Version | Silver Screen Sound Machine | E Minor | 4 | 9A | 101 BPM | ||
| Paddy & Tommy | Mark Isham | F♯ Minor | 0 | 11A | 79 BPM | ||
| You Moved! | David Hirschfelder | B♭ Major | 2 | 6B | 92 BPM | ||
| Remembering | Giles Lamb | C Major | 1 | 8B | 107 BPM | ||
| Memories (Someone We'll Never Know) | Clint Mansell | A Minor | 0 | 8A | 73 BPM | ||
| Dedication | John Powell | G Major | 4 | 9B | 120 BPM | ||
| Conan Cab | Theodore Shapiro, José González, Mark Graham | B Minor | 1 | 10A | 177 BPM | ||
| Warlord | Antonio Pinto | A Minor | 1 | 8A | 113 BPM | ||
| Main Titles (From "The Cider House Rules" Score) | Rachel Portman, John Lenehan, David Snell | G Major | 1 | 9B | 93 BPM | ||
| Tim's Eyes | Angelo Milli | B Minor | 0 | 10A | 105 BPM | ||
| American History X | Anne Dudley, The Quartet Of London | D Minor | 1 | 7A | 80 BPM | ||
| Discovery of the Camp (From the HBO Miniseries "Band of Brothers" Soundtrack) | Michael Kamen, London Metropolitan Orchestra, John Anderson, Dave Lee, Maire Brennan, Julie Andrews, Zoe Kamen | C Minor | 1 | 5A | 59 BPM | ||
| What Must Be Done | Nick Cave & Warren Ellis | C Minor | 1 | 5A | 80 BPM | ||
| Goodbye Godric | Nathan Barr | B♭ Major | 2 | 6B | 148 BPM | ||
| Final Salute - Hart's War/Soundtrack Version | Rachel Portman, David Snell | F♯ Minor | 1 | 11A | 81 BPM | ||
| Dead Ballerina | John Murphy | E Minor | 1 | 9A | 169 BPM | ||
| Excelsior | Alex Ebert | F Major | 1 | 7B | 131 BPM | ||
| Inez | Angelo Milli | F♯ Major | 0 | 2B | 65 BPM | ||
| Song for Bob | Nick Cave & Warren Ellis | F Major | 2 | 7B | 56 BPM | ||
| Letters - From "Precious" | Silver Screen Sound Machine | E♭ Major | 1 | 5B | 146 BPM | ||
| LaBoeuf Takes Leave | Carter Burwell | F Major | 0 | 7B | 47 BPM | ||
| The Fort | Jamin Winans | D Minor | 4 | 7A | 78 BPM | ||
| Journey to the Line (From "The Thin Red Line" Soundtrack) | Hans Zimmer, Gavin Greenaway | A Minor | 1 | 8A | 120 BPM | ||
| Meeting Miriam | Carter Burwell | C Major | 2 | 8B | 67 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM |