"Requiem: VI. The Lord is my shepherd (Christopher Hooker, oboe)" by John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, City of London Sinfonia, Sinfonia Of London had its release date on March 1, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Rutter: Requiem". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Requiem: VI. The Lord is my shepherd (Christopher Hooker, oboe) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem: VI. The Lord is my shepherd (Christopher Hooker, oboe) by John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, City of London Sinfonia, Sinfonia Of London having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sanctus from Requiem | Gabriel Fauré, Mormon Tabernacle Choir, Jerold D. Ottley, Columbia Symphony Orchestra | E♭ Major | 0 | 5B | 121 BPM | ||
| Lo How a Rose E'er Blooming | Michael Praetorius, The Cambridge Singers, John Rutter | F♯ Major | 1 | 2B | 107 BPM | ||
| Carol of the Magi | John Rutter, Tim Gill, The Cambridge Singers, Royal Philharmonic Orchestra, Gabriel Crouch | E♭ Major | 1 | 5B | 120 BPM | ||
| Requiem, Op. 48: IV. Pie Jesu | Gabriel Fauré, Sylvia McNair, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner | B♭ Major | 0 | 6B | 76 BPM | ||
| Messiah: Part 1, And He shall purify (Chorus) | The Sixteen | F♯ Minor | 4 | 11A | 99 BPM | ||
| Requiem: V. Agnus Dei (Duke Dobing, flute) | John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, City of London Sinfonia, Sinfonia Of London | F Major | 0 | 7B | 96 BPM | ||
| Once In Royal David’s City (Desc. by Philip Ledger) | Henry John Gauntlett, Arthur Henry Mann, Choir of King's College, Cambridge, Stephen Cleobury, Adam Banwell, Douglas Tang | G Major | 1 | 9B | 77 BPM | ||
| Stella Natalis: IV. Only Heavenly Music (In Memoriam Christine Brown) | Karl Jenkins, The Adiemus Singers, Marylebone Camerata, Tenebrae, Kate Royal, Alison Balsom, Jody K. Jenkins, Zands Duggan | A Major | 2 | 11B | 81 BPM | ||
| For all the saints (Sine nomine) | Ralph Vaughan Williams, York Minster Choir, Philip Moore | G Major | 2 | 9B | 110 BPM | ||
| 8 Part-Songs, Op. 119: No. 3, The Blue Bird | Charles Villiers Stanford, The Cambridge Singers, John Rutter | D Major | 1 | 10B | 103 BPM | ||
| This Is the Day | John Rutter, Aurora Orchestra, The Cambridge Singers | B♭ Major | 1 | 6B | 74 BPM | ||
| In the Bleak Midwinter | Harold Darke, Choir of King's College, Cambridge, Daniel Hyde, Matthew Martin, Owen Elsley | A♭ Major | 1 | 4B | 72 BPM | ||
| Rejoice in the Lamb, Festival Cantata, Op. 30: Rejoice in God | Benjamin Britten, The Choir Of Trinity College, Cambridge | C Minor | 0 | 5A | 184 BPM | ||
| None Other Lamb | Craig Courtney, BYU Concert Choir | B Major | 2 | 1B | 78 BPM | ||
| Ave Maris Stella | Edvard Grieg, The Sixteen, Harry Christophers | G Major | 1 | 9B | 136 BPM | ||
| In Paradisum | The Cambridge Singers | D Major | 1 | 10B | 61 BPM | ||
| Britten: Te Deum in C | Benjamin Britten, Philip Ledger, James Lancelot, Choir of King's College, Cambridge, Rory Phillips | C Major | 1 | 8B | 72 BPM | ||
| Tavener: The Lamb | John Tavener, Edward Higginbottom, Choir of New College, Oxford | E Minor | 0 | 9A | 80 BPM | ||
| Requiem in D Minor, Op. 48: V. Agnus Dei | Gabriel Fauré, John Rutter, Simon Standage, John Scott, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| Alma Redemptoris Mater | Tomás Luis de Victoria, The Cambridge Singers, John Rutter | F♯ Minor | 0 | 11A | 107 BPM | ||
| This is the Truth Sent From Above | Choir of New College, Oxford, Ralph Vaughan Williams | A Minor | 1 | 8A | 88 BPM | ||
| Missa Brevis, Op. 63: Gloria | Benjamin Britten, Christopher Allsop, Elizabeth Atherton, Andrea Cockerton, Eliza Lumley | D Major | 0 | 10B | 128 BPM | ||
| O magnum mysterium | Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt | D Major | 0 | 10B | 105 BPM | ||
| Madrigali: No. 3, Amor, lo sento l'alma | Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt | D Major | 0 | 10B | 65 BPM | ||
| O Magnum Mysterium | Nordic Chamber Choir - Nicol Matt | D Major | 0 | 10B | 140 BPM |