"Julie-san Satori" by Bill Conti, William Ross had its release date on January 28, 2022. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 32 in the song's album "The Next Karate Kid (Original Motion Picture Soundtrack)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Julie-san Satori is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Julie-san Satori by Bill Conti, William Ross having a BPM of 59 with a half-time of 30 BPM and a double-time of 118 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Madame Rosa | Philippe Sarde | A Minor | 1 | 8A | 89 BPM | ||
| Dinner by the Navesink Dock | Shelly | G Minor | 1 | 6A | 69 BPM | ||
| Crossing Over | William Ross | D Major | 3 | 10B | 142 BPM | ||
| Sad Homecoming | William Ross | D♭ Major | 1 | 3B | 79 BPM | ||
| Shakespeare In Love: End Credits - From "Shakespeare In Love" | Stephen Warbeck | F♯ Major | 1 | 2B | 120 BPM | ||
| On the Lake | Aaron Zigman | C Major | 0 | 8B | 58 BPM | ||
| Zonas de Paso | Las Eternas | E♭ Major | 3 | 5B | 81 BPM | ||
| Thoughts of a Lady | Scottie Nash | F♯ Minor | 6 | 11A | 140 BPM | ||
| Fish And Train | Bill Conti | C Major | 1 | 8B | 76 BPM | ||
| Cable Cars | Howard Shore | D Major | 3 | 10B | 82 BPM | ||
| Book's Disappearance | Maurice Jarre | D Minor | 1 | 7A | 61 BPM | ||
| Acusaciones | Armonias | D Minor | 1 | 7A | 114 BPM | ||
| Flowers On The Water | George Fenton | D Minor | 0 | 7A | 77 BPM | ||
| Dream | Pino Donaggio | G Minor | 2 | 6A | 140 BPM | ||
| Burning Books | Harald Kloser | E Minor | 0 | 9A | 111 BPM | ||
| All Alone | JACK KAY | A Minor | 1 | 8A | 64 BPM | ||
| Pam | National Philharmonic Orchestra | G Major | 1 | 9B | 134 BPM | ||
| Long Live Sacred Germany | John Ottman | A Minor | 0 | 8A | 171 BPM | ||
| Cutthroat Island (It’s Only Gold & End Credits) | City Light Symphony Orchestra | B♭ Major | 3 | 6B | 128 BPM | ||
| The Apology/Nessun Dorma | Luciano Pavarotti, The Mirror Has Two Faces (Soundtrack) | D Major | 1 | 10B | 82 BPM | ||
| Thou Art Beautiful O My Love | Mark Isham | F♯ Minor | 1 | 11A | 68 BPM | ||
| V.E. Day | David Schweitzer | G Major | 6 | 9B | 95 BPM | ||
| Hometown Hero | William Ross | A♭ Major | 1 | 4B | 79 BPM | ||
| Campfire | William Ross | E♭ Major | 0 | 5B | 50 BPM | ||
| Magnificence | Fred Bouchal | B♭ Major | 3 | 6B | 128 BPM |