The Crew Cuts's ' "9:20 Special" was released on its scheduled release date, 2006. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. 9:20 Special's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 51 in the song's album "Sh-Boom". In this album, this song's track order is #40. 9:20 Special is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With 9:20 Special by The Crew Cuts having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Special Angel | Malcolm Vaughan | G Minor | 3 | 6A | 81 BPM | ||
| A Lover's Question | Clyde McPhatter | C Major | 4 | 8B | 83 BPM | ||
| 1950s Woman | John Stevens Band | G Minor | 5 | 6A | 82 BPM | ||
| Oop-Shoop | The Crew Cuts | G Major | 3 | 9B | 130 BPM | ||
| Travelin' Man - Remastered | Ricky Nelson | D Major | 4 | 10B | 123 BPM | ||
| That's Amore | Dean Martin | B♭ Major | 2 | 6B | 158 BPM | ||
| No Particular Place To Go | Chuck Berry | G Major | 8 | 9B | 129 BPM | ||
| Kisses And Tears | Jane Russell | E Major | 2 | 12B | 127 BPM | ||
| Can't Get You Out Of My Mind | Hal David, John Cacavas | F Major | 3 | 7B | 118 BPM | ||
| You're Sixteen | Johnny Burnette | D Major | 5 | 10B | 76 BPM | ||
| This is My Story | The Crew Cuts | D Minor | 3 | 7A | 131 BPM | ||
| Hold Me Baby | The Chords | F Major | 5 | 7B | 149 BPM | ||
| Tutti Frutti | Little Richard | F Major | 7 | 7B | 185 BPM | ||
| Sway | Bobby Rydell | B Major | 1 | 1B | 74 BPM | ||
| See You Later, Alligator | Bill Haley & His Comets | C Minor | 8 | 5A | 175 BPM | ||
| Silhouettes | The Diamonds | E Minor | 4 | 9A | 81 BPM | ||
| Don't Lose Your Sense of Humor | Jimmy Durante | C Major | 5 | 8B | 86 BPM | ||
| I'll Get By | Harry James | B♭ Major | 1 | 6B | 121 BPM | ||
| Darling if I Had You | Bobby Day | F Major | 2 | 7B | 201 BPM | ||
| Unchained Melody | The Crew Cuts | D Minor | 7 | 7A | 161 BPM | ||
| It Ain't The Meat, It's The Motion | The Swallows | B♭ Major | 4 | 6B | 149 BPM | ||
| Somebody Nobody Wants | Dion | B Major | 1 | 1B | 74 BPM | ||
| The Devil Sat Down and Cried | Hellen Forrest, Harry James | F Major | 3 | 7B | 201 BPM | ||
| Smile (From United Artists Film "Modern Times") | Jimmy Durante | F Major | 4 | 7B | 107 BPM | ||
| Hold My Hand | Don Cornell | E♭ Major | 2 | 5B | 82 BPM |