Bartok Music's ' "The Limp" was released on its scheduled release date, November 3, 2022. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. The Limp's duration is considered a little bit shorter than the average duration of a typical track. The song is number 32 out of 37 in Bartok Music by Bartok Music. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Limp is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of The Limp by Bartok Music is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Canon and Gigue "a 3 Violinis con suo Basso": I. Canon | Johann Pachelbel, Andrew Manze, John Holloway, Stanley Ritchie, Nigel North, John Toll, Mary Springfels | D♭ Major | 2 | 3B | 125 BPM | ||
| Romanesca o Guardame las Vacas | Alonso Mudarra, Hopkinson Smith | E Minor | 1 | 9A | 113 BPM | ||
| Concerto grosso No. 3 in D Minor: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | F Major | 1 | 7B | 74 BPM | ||
| Concerto Á 5 In E Minor: 1. Allegro non molto | Pierre-Gabriel Buffardin, Musica Antiqua Köln, Reinhard Goebel | E♭ Minor | 1 | 2A | 106 BPM | ||
| Pavana II | Alonso Mudarra, Hopkinson Smith | B Minor | 1 | 10A | 115 BPM | ||
| Concerto a due cori No. 1 in B flat (1989 Digital Remaster): II. Allegro | George Frideric Handel, Yehudi Menuhin, Menuhin Festival Orchestra | B♭ Major | 2 | 6B | 101 BPM | ||
| Dezilde al Cavallero que | Diego Pisador, Juan Carlos Rivera | F Major | 0 | 7B | 90 BPM | ||
| Idylle sur la paix: Air pour Madame la Dauphine | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 3 | 1A | 139 BPM | ||
| Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
| Orphee et Eurydice, Act II: Dance of the Blessed Spirits (arr. D. Sosin for flute and harp): Orfeo ed Euridice, Act II: Dance of the Blessed Spirits (arr. for flute and harp) | Donald Sosin, Christoph Willibald Gluck, Nora Shulman, Judy Loman | F Major | 1 | 7B | 82 BPM | ||
| Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM | ||
| Fantasia chromatica | Jan Pieter Sweelinck, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 69 BPM | ||
| Flute Concerto in D major: 1. Allegro | Jacques Loeillet, Jean-Pierre Rampal, Orchestre Antiqua Musica, Jacques Roussel | D Major | 1 | 10B | 138 BPM | ||
| Scarlatti, A: Clori, Dorino e Amore: Sinfonia avanti la Serenata. III. Minuet | Alessandro Scarlatti, Europa Galante, Fabio Biondi | B Major | 1 | 1B | 131 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 7 : III. Allegro | Arcangelo Corelli, Quido Holbling, Anna Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 1 | 10B | 134 BPM | ||
| 6 Variations on 'Nel cor più non mi sento’, di G. Paisiello in G Major, Op. 42 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VI. Variation 5 | Johann Baptist Vanhal, Claudio Ferrarini | B♭ Major | 1 | 6B | 84 BPM | ||
| Jacaras | Antonio de Santa Cruz, Rolf Lislevand, Eduardo Egüez, Beatrice Pornon, Adela Gonzalez-Campa | D Major | 1 | 10B | 103 BPM | ||
| 12 Concerti Grossi, Op. 6, No. 2 in F Major: I. Vivace - Allegro | Arcangelo Corelli, Europa Galante, Fabio Biondi | E Major | 1 | 12B | 120 BPM | ||
| Terpsichore (arr. H. Baumer): La Canarie | Michael Praetorius, Hermann Bäumer, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 1 | 9B | 105 BPM | ||
| Joann's Waltz | Bartok Music | D Major | 3 | 10B | 140 BPM | ||
| Monteverdi: L'Orfeo, SV 318, Act 5: Sinfonie & Moresca | Alessandro Striggio, Claudio Monteverdi, Christina Pluhar | C Major | 3 | 8B | 117 BPM | ||
| Donna, quando pietosa / El travagliato / La gamba in basso e soprano / Amor è foco e ghiaccio | Jacques Arcadelt, Vincenzo Ruffo, Orazio Vecchi, Piffaro, Joan Kimball, Robert Wiemken | E♭ Minor | 0 | 2A | 82 BPM | ||
| Suite for Strings Continuo D Minor: I. Sarabande | Arcangelo Corelli, Chamber Orchestra Labacensis, Kurt Redel | B♭ Major | 1 | 6B | 84 BPM | ||
| Polski Taniec | Bartok Music | B♭ Major | 7 | 6B | 98 BPM | ||
| Allemanda per la E | Giovanni Paolo Foscarini, Ensemble Kapsberger, Rolf Lislevand | A Minor | 1 | 8A | 95 BPM |