On May 21, 2024, the song "Sanvariya tu yaar Garib Sudama ko" was released by Ramesh Mali. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Sanvariya tu yaar Garib Sudama ko only contains only one song in the album, we like to consider this song as a single. Based on our statistics, Sanvariya tu yaar Garib Sudama ko's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Sanvariya tu yaar Garib Sudama ko by Ramesh Mali having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| बाबा रामदेव जी देशी भजन | Bhoma Ram Panwar | G Major | 7 | 9B | 125 BPM | ||
| Nadol Ri Ashapura Mata | Bhanwar Rao, Gunesh Giri Maharaj, Prakash Mali, Ramesh Mali, Kushal Barath | D Major | 7 | 10B | 96 BPM | ||
| Aasaro Mata Ji Mane Tharo | Bhanwar Rao, Gunesh Giri Maharaj, Prakash Mali, Ramesh Mali, Kushal Barath | D Major | 7 | 10B | 109 BPM | ||
| Sanwariya Me To Aayo Dwar | Mukesh Mahadeva | F Major | 9 | 7B | 150 BPM | ||
| Maai Ailu Na Anganawa | Vinay Vikash | F Minor | 9 | 4A | 80 BPM | ||
| Aulad Bhula Deti Hai | Shaqeel Ashfaq | F♯ Minor | 10 | 11A | 114 BPM | ||
| Shradhanjali Geet - Ek Dukhad Dastan | Dinesh Dewasi | C Major | 8 | 8B | 110 BPM | ||
| Melo Mein Misri Tol De | Prakash Mali, Ramesh Mali | D♭ Major | 9 | 3B | 90 BPM | ||
| पांच गांव पांडवा ने देदो बाकी राज तुम्हारा | Jeta Goswami | A♭ Minor | 9 | 1A | 150 BPM | ||
| Kardenga Come Back Dobara | Viahal Meena | G Major | 9 | 9B | 100 BPM | ||
| Chosath Jogani Re | Ramesh Mali, Sarita Kharwal | B♭ Minor | 8 | 3A | 88 BPM | ||
| Baatan Baatan Me Kadh Gai Ja Jindgani Bundeli | Chandra Bhushan Pathak | D♭ Major | 9 | 3B | 99 BPM | ||
| Baba Kya Baat Hai | Rafiq Sagar | B Major | 6 | 1B | 103 BPM | ||
| Sakhi Dekh Shyam Shingaar | Rajendra Vyas | D Minor | 8 | 7A | 90 BPM | ||
| Raji Raji Bol L Tu | Manish Fagna | A♭ Minor | 9 | 1A | 110 BPM | ||
| Pyara Saja Hai Tera Dwar Bhawani - Hindi | Ram Kumar Lakha | D♭ Major | 8 | 3B | 126 BPM | ||
| AASRO BALAJI MANE THARO | Bhagwat Suthar | A♭ Minor | 10 | 1A | 97 BPM | ||
| Aisa Aisa Lagan Likhaya Guruji Mara | Dhanraj Joshi | A♭ Major | 9 | 4B | 78 BPM | ||
| Misri Su Mithi Aa Rajsthani Bhasa Hain | Leela Ratnu | G Minor | 9 | 6A | 80 BPM | ||
| Helo Suno Peer Ji | Kushal Bharat, Ramesh Mali | F♯ Major | 8 | 2B | 83 BPM | ||
| राधा रमण हरि गोविंद बोलो | Prakash Das Ji Maharaj | B♭ Minor | 9 | 3A | 112 BPM | ||
| Mai Kuchhau Nahi Batailu | Pawan Singh | D♭ Minor | 8 | 12A | 156 BPM | ||
| Balihari Jau Mara Satguru Ne | Bheru Puri Sopura | B Major | 5 | 1B | 109 BPM | ||
| Dil Tod Chala Pardeshi | Shaqeel Ashfaq | B♭ Minor | 8 | 3A | 116 BPM | ||
| Bhajan Bin Suni Dehiya Re Bundeli Lamtera Geet | Chandra Bhushan Pathak | D♭ Major | 8 | 3B | 87 BPM |