Roberta Flack's ' "It Might Be You" was released on its scheduled release date, September 27, 1994. This song appears to be safe for all ages as it is not explicit. There are a total of 15 in the song's album "Roberta". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, It Might Be You's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With It Might Be You by Roberta Flack having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Make Me Whole | Amel Larrieux | A Major | 1 | 11B | 138 BPM | ||
| That's Alright That's OK | Nanette Maxine | D♭ Major | 2 | 3B | 90 BPM | ||
| You Bring Me Joy | Anita Baker | A Major | 5 | 11B | 135 BPM | ||
| So Long - Well, Well, Well | Phajja | B♭ Major | 5 | 6B | 80 BPM | ||
| Let's Make a Baby | Billy Paul | C Major | 6 | 8B | 97 BPM | ||
| There'll Never Be | Switch | E Minor | 7 | 9A | 78 BPM | ||
| Let It Be Me | Roberta Flack | B♭ Major | 1 | 6B | 77 BPM | ||
| Come Back To Me | Janet Jackson | F Minor | 4 | 4A | 78 BPM | ||
| Now That You're Gone | Martha Wash | B Minor | 4 | 10A | 126 BPM | ||
| Hello Beloved | Angela Winbush | F Minor | 2 | 4A | 123 BPM | ||
| Giving You All My Love | Chris Walker | G Major | 5 | 9B | 81 BPM | ||
| I'll Give You My Love | Vesta Williams | A♭ Minor | 6 | 1A | 168 BPM | ||
| I Want To Be Free | Ohio Players | F Major | 5 | 7B | 142 BPM | ||
| Love Don't Love Nobody | The Spinners | F Major | 3 | 7B | 141 BPM | ||
| Cassanova Brown | Teena Marie | D♭ Major | 4 | 3B | 120 BPM | ||
| Am I Dreaming | Atlantic Starr | F♯ Major | 4 | 2B | 124 BPM | ||
| Love's Train | Con Funk Shun | F♯ Major | 7 | 2B | 124 BPM | ||
| One Heart | Karyn White | B♭ Major | 5 | 6B | 142 BPM | ||
| No Pain, (No Gain) | Betty Wright | B♭ Major | 4 | 6B | 146 BPM | ||
| Love and Let Love | Roberta Flack | G Minor | 4 | 6A | 115 BPM | ||
| Tender Love | Force M.D.'s | A♭ Major | 3 | 4B | 143 BPM | ||
| I Really Love You | Harold Melvin & The Blue Notes | F♯ Major | 7 | 2B | 84 BPM | ||
| Stop to Start | Blue Magic | E Major | 4 | 12B | 63 BPM | ||
| You're All That Matters | Deniece Williams | F Minor | 4 | 4A | 154 BPM | ||
| I Apologize | Anita Baker | B Major | 5 | 1B | 77 BPM |