"Week No. 5" by Fabrizio Paterlini had its release date on February 27, 2012. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 14 in Autumn Stories by Fabrizio Paterlini. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Week No. 5's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Week No. 5 by Fabrizio Paterlini is Allegro (fast, quick, and bright), since this song has a tempo of 149 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Broom Tree | Chad Hewitt | G Minor | 0 | 6A | 134 BPM | ||
| And Along Come the Rain | Elba | C Major | 0 | 8B | 64 BPM | ||
| Skin on Skin | Dirk Maassen | A♭ Major | 1 | 4B | 143 BPM | ||
| Alone | James Spiteri | E Major | 1 | 12B | 66 BPM | ||
| Heartland | Shaun Taylor McManus | A♭ Major | 3 | 4B | 143 BPM | ||
| The Tragedy of the Commons | Slow Meadow | D♭ Minor | 2 | 12A | 79 BPM | ||
| Absence | Slow Meadow | A Minor | 2 | 8A | 73 BPM | ||
| Metamorphosis 2 | Philip Glass, Bruce Brubaker | A Minor | 0 | 8A | 112 BPM | ||
| Absenta | Bruno Sanfilippo | C Major | 0 | 8B | 130 BPM | ||
| Beyond the Sky | Dirk Maassen | A Minor | 0 | 8A | 78 BPM | ||
| The Feather Dance | Jo Blankenburg | D♭ Major | 3 | 3B | 143 BPM | ||
| Forgotten | Jakob Lindhagen | B♭ Minor | 1 | 3A | 79 BPM | ||
| Empire - Daigo Hanada Rework | Matt Emery, Daigo Hanada | E♭ Major | 1 | 5B | 98 BPM | ||
| Like We Were | Luca D'Alberto | F♯ Minor | 2 | 11A | 105 BPM | ||
| Augenblick (Piano Room Recording) | Dirk Maassen | D Minor | 0 | 7A | 79 BPM | ||
| Night Waltz | Angus MacRae | B♭ Major | 3 | 6B | 145 BPM | ||
| Evocazione n.13 (Ad occhi chiusi) | DAVIDE FERRO | A♭ Major | 1 | 4B | 129 BPM | ||
| The Watchtower | Sigimund | A♭ Minor | 0 | 1A | 81 BPM | ||
| Solo | Andy Gbormittah, Jake Warren, Silence & Air | C Minor | 1 | 5A | 62 BPM | ||
| Downstreams | Max Swan | B♭ Minor | 0 | 3A | 107 BPM | ||
| Through Shadows | Angus MacRae | D♭ Minor | 4 | 12A | 135 BPM | ||
| Some | Nils Frahm | F Major | 0 | 7B | 76 BPM | ||
| Mer de velours | Maxence Cyrin | A♭ Major | 2 | 4B | 128 BPM | ||
| Healing | Mike Lazarev | D Minor | 0 | 7A | 198 BPM | ||
| The Forgotten Keys | Daniel Taraconat, Piano Novel | F Major | 1 | 7B | 130 BPM |