Steve Smyth's 'Get On' had a release date set for September 5, 2014. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 11 in Exits by Steve Smyth. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Based on our statistics, Get On's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Get On by Steve Smyth is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Devil Town | Ben Caplan | G Minor | 3 | 6A | 90 BPM | ||
| How We Used to Love | Siv Jakobsen | A♭ Minor | 1 | 1A | 99 BPM | ||
| Angel Ballad | Hurray For The Riff Raff | E Minor | 1 | 9A | 82 BPM | ||
| The High Road | Robert Ellis | G Major | 4 | 9B | 110 BPM | ||
| Caught in Between | Micah P. Hinson | A Minor | 4 | 8A | 143 BPM | ||
| Foot In The Door | Fink | G Minor | 4 | 6A | 150 BPM | ||
| Black Is the Color | Lucette | B Minor | 5 | 10A | 95 BPM | ||
| Treasures | Seasick Steve | G Major | 2 | 9B | 60 BPM | ||
| Heavy Love | Duke Garwood | B♭ Major | 3 | 6B | 142 BPM | ||
| Wheels | Fink | D Major | 3 | 10B | 99 BPM | ||
| Black Dog Sin | Joshua Burnside | G Major | 2 | 9B | 170 BPM | ||
| Fear Is Like Fire | Fink | E Minor | 5 | 9A | 135 BPM | ||
| The Highwayman | Arbouretum | F Major | 3 | 7B | 158 BPM | ||
| April | Nick Mulvey | G Minor | 4 | 6A | 81 BPM | ||
| How Will You Meet Your End | A.A. Bondy | B Minor | 3 | 10A | 142 BPM | ||
| Dionysus | Ed Harcourt | G Major | 4 | 9B | 83 BPM | ||
| Hurtin' Habit | Giant Sand | E Major | 9 | 12B | 178 BPM | ||
| Stranded Pearl | Giant Sand | D♭ Major | 5 | 3B | 95 BPM | ||
| Bottom Of The Well | Maggie Bjorklund | D Minor | 5 | 7A | 89 BPM | ||
| Water and Dust | William Crighton | D♭ Major | 9 | 3B | 176 BPM | ||
| Intentional Injury - From The HBO Series True Detective | Bonnie Prince Billy | G Major | 1 | 9B | 126 BPM | ||
| Trouble I'm In | The Unfaithful Ways | A Minor | 7 | 8A | 92 BPM | ||
| Methuselah | San Fermin | C Minor | 2 | 5A | 76 BPM | ||
| Manuscripts | Steve Smyth | A Major | 8 | 11B | 117 BPM | ||
| Paris | Steve Smyth | A Major | 6 | 11B | 170 BPM |