Martin Jacoby's 'In Limerence' had a release date set for October 4, 2021. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. In Limerence's duration is considered a little bit shorter than the average duration of a typical track. The song is number 81 out of 88 in Classical Piano Sessions by Martin Jacoby. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, In Limerence is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of In Limerence by Martin Jacoby is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In Metaphor, Solace | Luke Howard | B♭ Minor | 1 | 3A | 116 BPM | ||
| Rosée | Piano Novel | F Major | 0 | 7B | 206 BPM | ||
| Longing | Kari Bin | E Minor | 0 | 9A | 74 BPM | ||
| Des Fleurs Pour Mieko | Piano Novel | C Minor | 1 | 5A | 100 BPM | ||
| By Night | Sophie Hutchings | B♭ Major | 2 | 6B | 104 BPM | ||
| Unstitch | Anna Rose Carter | D Minor | 2 | 7A | 120 BPM | ||
| Gnossiennes: No. 4 | Erik Satie, Martin Jacoby | C Major | 0 | 8B | 156 BPM | ||
| Rainy Day | Luke Woodapple, Out of Berlin | G Minor | 2 | 6A | 124 BPM | ||
| Volta | Angus MacRae | D♭ Minor | 2 | 12A | 144 BPM | ||
| Four English Sketches: No. 1, A Pastoral | William Hurlstone, Hannah Roper, Martin Jacoby | G Major | 1 | 9B | 83 BPM | ||
| Interconnectivity | Sigríður | C Major | 0 | 8B | 114 BPM | ||
| Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" | Ludwig van Beethoven, Martin Jacoby | B Minor | 5 | 10A | 80 BPM | ||
| Help | Andy Gbormittah, Jake Warren, Silence & Air | A♭ Major | 1 | 4B | 115 BPM | ||
| Arrivals n1 | Dustin O'Halloran | A Minor | 0 | 8A | 72 BPM | ||
| Singur | Oskar Schuster | E Minor | 2 | 9A | 76 BPM | ||
| Opus 55 | Dustin O'Halloran | F Major | 1 | 7B | 80 BPM | ||
| Tristane | Oskar Schuster | B♭ Minor | 1 | 3A | 148 BPM | ||
| The Dardanelles: III. Yalta | Jennifer Watson, Martin Jacoby | A Minor | 0 | 8A | 60 BPM | ||
| Epic Romance | Rachel Currea | C Major | 1 | 8B | 113 BPM | ||
| Waltz | Martin Jacoby | B♭ Major | 1 | 6B | 201 BPM | ||
| Ascend | Shaun Taylor McManus | F Minor | 2 | 4A | 92 BPM | ||
| Lament | Ethel Barns, Hannah Roper, Martin Jacoby | G Minor | 2 | 6A | 97 BPM | ||
| Tema de Sira | Cesar Benito | D Minor | 3 | 7A | 162 BPM | ||
| Comptine d’un Autre été: L’Après-Midi | Roberto Jonata | D Major | 1 | 10B | 101 BPM | ||
| Truman Sleeps | Philip Glass, Martin Jacoby | F Minor | 0 | 4A | 76 BPM |