On January 1, 2001, the song "Railroad Bill" was released by Hobart Smith. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Railroad Bill's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Portraits: Hobart Smith: Blue Ridge Legacy". In this album, this song's track order is #6. Based on our statistics, Railroad Bill's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Railroad Bill by Hobart Smith having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Minglewood Blues | Cannon's Jug Stompers | A♭ Major | 3 | 4B | 133 BPM | ||
| John Hardy | Hobart Smith | A♭ Major | 1 | 4B | 125 BPM | ||
| Graveyard Blues | Hobart Smith | E Major | 2 | 12B | 167 BPM | ||
| Little Birdie | J.D. Wilkes | B♭ Major | 4 | 6B | 120 BPM | ||
| Country Blues | Dock Boggs | D♭ Major | 2 | 3B | 111 BPM | ||
| Tom Dooley | Frank Proffitt | F Major | 2 | 7B | 122 BPM | ||
| The Coo-Coo Bird | Clarence Ashley, Doc Watson | A♭ Major | 4 | 4B | 127 BPM | ||
| Soldier's Joy | The Skillet-Lickers | D Major | 3 | 10B | 107 BPM | ||
| Roll On Buddy | The Kentucky Colonels | A Major | 5 | 11B | 72 BPM | ||
| Down South Blues | Dock Boggs | D Minor | 4 | 7A | 103 BPM | ||
| I'll Be Your Woman | The Last River Bottomed Fig Plucker | B Major | 1 | 1B | 77 BPM | ||
| Little Mousey | Melissa Carper, Rebecca Patek | D Major | 3 | 10B | 116 BPM | ||
| Shortnin’ Bread | Nora Brown | G Major | 2 | 9B | 129 BPM | ||
| The Panama Limited | Bukka White | E♭ Major | 4 | 5B | 120 BPM | ||
| The Winding Spring | Frank Fairfield | F♯ Minor | 4 | 11A | 123 BPM | ||
| Bluesman Blues (feat. Dan Crecco & Mad Dog) | Johnny Johnston, Dan Crecco, Mad Dog | G Major | 4 | 9B | 137 BPM | ||
| Down South Blues | Dock Boggs | B♭ Minor | 4 | 3A | 102 BPM | ||
| Sitting on Top of the World | Hobart Smith | B Minor | 1 | 10A | 94 BPM | ||
| I Fill My Holes | The Last River Bottomed Fig Plucker | C Major | 2 | 8B | 143 BPM | ||
| Johnson Boys | Lily Mae Ledford | E Major | 2 | 12B | 117 BPM | ||
| Crow Jane | Etta Baker, Cora Phillips | E Major | 2 | 12B | 168 BPM | ||
| Southern Texas | Nora Brown | B♭ Major | 4 | 6B | 170 BPM | ||
| Rye Whiskey | Frank Proffitt | A Major | 2 | 11B | 181 BPM | ||
| Wild Bill Jones (feat. Jd Wilkes) | Mike Oberst | E Major | 4 | 12B | 113 BPM | ||
| Little Birdie | The Kossoy Sisters | B♭ Major | 2 | 6B | 183 BPM |