On April 17, 2014, the song "Hai Re Bedardi Balmua" was released by Sudarshan Vyas, Paro Rani. This song is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. The track order of this song in Sudarshan Vyas, Paro Rani's "Holi Me Parparata" album is number 5 out of 8. On top of that, France appears to be the country where this track was created. Based on our statistics, Hai Re Bedardi Balmua's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Hai Re Bedardi Balmua by Sudarshan Vyas, Paro Rani to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Teri Jai Ho Mohan Ram | Pravesh Sharma | A Major | 10 | 11B | 128 BPM | ||
| Joga Ke Rakha Maidam | Khesari Lal Yadav | A♭ Major | 9 | 4B | 149 BPM | ||
| Tajulwara Ki Basti | Anis Nawab | B Major | 10 | 1B | 110 BPM | ||
| Shri Ram Jaanki Baithe Hai | Ram Kumar Lakha | D♭ Major | 9 | 3B | 135 BPM | ||
| Khich Ke Le Aaya Tera Pyar | Karnail Rana | F♯ Major | 8 | 2B | 98 BPM | ||
| Ara Ra Ra Ra Bhar Pichkari | Sadhvi Purnima | A♭ Minor | 7 | 1A | 96 BPM | ||
| Kanha Bachke Jaibu | Sudarshan Vyas, Paro Rani | A♭ Major | 8 | 4B | 175 BPM | ||
| Hoi Ta Gayil Paanch Bar | Diwakar Dwivedi | F Minor | 7 | 4A | 92 BPM | ||
| Rabidas Puja - Bhojpuri | Sudarshan Vyas | B♭ Major | 5 | 6B | 79 BPM | ||
| Bewafa Ko Dil Deke Kya Wafa Nibhaoge | Brijesh Shastri | A Major | 9 | 11B | 111 BPM | ||
| Chalata Yari Katari Jawan Ho Gailu | Sudarshan Vyas | F♯ Major | 8 | 2B | 98 BPM | ||
| Sanyasi Baba Ki Bhabhuti Kamaal Kar Gayi | Khanij Dev Chouhan | D♭ Major | 9 | 3B | 140 BPM | ||
| Khama Khama | Durga Jasraj, Shyam Paliwal, Mangal Singh, Nelu Rangeeli | C Major | 9 | 8B | 101 BPM | ||
| Jogi Khadya Dware | Sumit Kalanaur | F Major | 9 | 7B | 119 BPM | ||
| Ram Ko Dekhkar Ke Janak Nandini | Mishra Bandhu | C Minor | 8 | 5A | 91 BPM | ||
| Mero Kho Gayo Bajuband | Ramavtar Sharma | B♭ Minor | 8 | 3A | 140 BPM | ||
| Saawan Ka Mahina Aa Gaya | Lakhbir Singh Lakkha | A♭ Minor | 7 | 1A | 84 BPM | ||
| He Natho Ke Nath | Sumit Kalanaur | A♭ Major | 9 | 4B | 117 BPM | ||
| Khoti Bangle Gadi Na Lu | Narender Kaushik | F Major | 6 | 7B | 108 BPM | ||
| Udd Jayega Ek Din Panchi | Anand Shinde | F♯ Major | 8 | 2B | 112 BPM | ||
| Bahar Ban Ke | Pawan | D♭ Major | 8 | 3B | 194 BPM | ||
| Tisale Mari Geni Mayadar | Narendra Singh Negi | A♭ Minor | 5 | 1A | 142 BPM | ||
| Aagi Lutha | Chhaya Chandrakar | F♯ Major | 7 | 2B | 105 BPM | ||
| Ghashidas Guru Ke Amrit Wani | Usha Barle | B♭ Minor | 7 | 3A | 112 BPM | ||
| THALLATHA VAYATHIALEA | Palani | F♯ Major | 9 | 2B | 97 BPM |