On July 5, 2001, the song "Nitelife" was released by Martin Taylor. This song is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Nitelife". In this album, this song's track order is #6. In terms of popularity, Nitelife is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Nitelife by Martin Taylor having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Certain Smile | Ted Greene | E♭ Major | 1 | 5B | 80 BPM | ||
| Árida | Barry O'sullivan | G Major | 0 | 9B | 177 BPM | ||
| Iguazu | Dominic Miller | G Minor | 3 | 6A | 153 BPM | ||
| Urban Daydream | Subtle Frequencies | G Major | 2 | 9B | 83 BPM | ||
| Blood On The Rooftops | Henry Delkin | B Minor | 1 | 10A | 74 BPM | ||
| True | Martin Taylor | D Major | 2 | 10B | 94 BPM | ||
| Via Verde | Lee Ritenour | E♭ Major | 1 | 5B | 109 BPM | ||
| Mona Lisa | Martin Taylor | A Major | 1 | 11B | 83 BPM | ||
| Again | Alison Burns, Martin Taylor | C Minor | 0 | 5A | 73 BPM | ||
| Moonlight Music | Ken Bonfield | C Minor | 2 | 5A | 74 BPM | ||
| Stillhet | Martin Lindholm | A Minor | 3 | 8A | 143 BPM | ||
| Miles to Go | Jens Hausmann | D Major | 2 | 10B | 116 BPM | ||
| You Needed Me | Russell Malone | D Major | 0 | 10B | 133 BPM | ||
| Närmare, Gud till dig | Lowell Mason, Mats Bergström, Georg Riedel, André Ferrari | C Major | 4 | 8B | 81 BPM | ||
| 'Round Midnight | Johnny Smith | A♭ Minor | 1 | 1A | 78 BPM | ||
| I Will | John Scofield | C Major | 1 | 8B | 100 BPM | ||
| Message to Jim Hall | Russell Malone | C Major | 3 | 8B | 94 BPM | ||
| Meu Xodó | Leonard Maraiz | F Major | 2 | 7B | 87 BPM | ||
| Ain't Misbehavin' | Martin Taylor, Alan Barnes | C Minor | 5 | 5A | 129 BPM | ||
| Le jardin d'Adonis (To Marcel Dadi) | Pierre Bensusan | E Major | 2 | 12B | 135 BPM | ||
| Crystal Silence | David Grisman, Martin Taylor | A Minor | 1 | 8A | 139 BPM | ||
| Sunny Afternoon | Apostolos Leventopoulos | C Minor | 0 | 5A | 83 BPM | ||
| Serafina | Martin Taylor, Alan Barnes | C Minor | 1 | 5A | 111 BPM | ||
| Lessons | Jazz Kid | G Major | 0 | 9B | 177 BPM | ||
| Midnight Pick | Helios Jazz Club | A Major | 2 | 11B | 109 BPM |