Jules Massenet, Théophile Alexandre, Quatuor Zaïde's 'Manon, Act 2 Scene 4: Adieu notre petite table (Arr. for Countertenor & String Quartet by Eric Mouret)' had a release date set for January 21, 2022. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "No(s) Dames". In this album, this song's track order is #19. Furthermore, we believe that the track originated from France. Based on our statistics, Manon, Act 2 Scene 4: Adieu notre petite table (Arr. for Countertenor & String Quartet by Eric Mouret)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon, Act 2 Scene 4: Adieu notre petite table (Arr. for Countertenor & String Quartet by Eric Mouret) by Jules Massenet, Théophile Alexandre, Quatuor Zaïde having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rest, sweet Nymphs | Francis Pilkington, Zefiro Torna, Lore Binon, Jurgen De bruyn | G Minor | 0 | 6A | 87 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| SV163: Lamento Della Ninfa | Claudio Monteverdi, Musica Sequenza, BURAK, Diana Ramirez | F♯ Minor | 1 | 11A | 75 BPM | ||
| Parfons regretz, NJE 29.19 | Josquin des Prez, Graindelavoix, Björn Schmelzer | D Minor | 1 | 7A | 136 BPM | ||
| Polifemo, HelN 31: Alto Giove - Arr. for Voice & Piano | Nicola Porpora, Théophile Alexandre, Guillaume Vincent | E♭ Minor | 1 | 2A | 71 BPM | ||
| Cantate Nuptiale, Op. 168: "Qu'il me donne un baiser" | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | G Minor | 2 | 6A | 84 BPM | ||
| Werther, Act III: Werther! Werther! Qui m'aurait dit la place... | Jules Massenet, Aigul Akhmetshina, Royal Philharmonic Orchestra, Daniele Rustioni | F Major | 1 | 7B | 94 BPM | ||
| Gilgamesh, Tablet 5: Blood | J. Scott Brubacher, Stephen Lancaster, Susan McDaniel | F Major | 2 | 7B | 78 BPM | ||
| Mélodie-Elégie, Op. 10, No. 5 | Jules Massenet, Wolfgang Emanuel Schmidt | C Minor | 0 | 5A | 73 BPM | ||
| Dido and Aeneas: Dido's Lament | Jessye Norman | C Minor | 2 | 5A | 89 BPM | ||
| Trois Pièces pour Violoncelle et Piano: No. 1 Moderato | Nadia Boulanger, Isang Enders, Sun-Wook Kim | E♭ Minor | 0 | 2A | 113 BPM | ||
| Scarlatti, A / Orch Courbier & Delaforge: Il Pompeo, Act 2: "O cessate di piagarmi" (Orch. Courbier & Delaforge) | Alessandro Scarlatti, Nathalie Stutzmann, Orfeo 55 | E Minor | 2 | 9A | 85 BPM | ||
| Guridi: 6 canciones castellanas: No. 1, Allá arriba, en aquella montaña | Jesús Guridi, Marianne Crebassa, Alphonse Cemin | C Minor | 1 | 5A | 177 BPM | ||
| La Sonnambula, Act 2 Scene 12: Ah! Non credea mirarti (Arr. for Countertenor & String Quartet by Eric Mouret) | Théophile Alexandre, Quatuor Zaïde | G Major | 1 | 9B | 101 BPM | ||
| La Oración del Torero - Remastered | Joaquín Turina, Ataúlfo Argenta, Orquesta Nacional De España | F Major | 1 | 7B | 85 BPM | ||
| Thaïs: Méditation (Arr. Knoth) | Jules Massenet, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | D Major | 1 | 10B | 116 BPM | ||
| Considering Matthew Shepard, Passion: No. 8, Recitation III | Craig Hella Johnson, Conspirare, Melissa Givens | E♭ Minor | 1 | 2A | 91 BPM | ||
| the little match girl passion: have mercy, my god | David Lang, Theatre Of Voices, Paul Hillier | A♭ Major | 0 | 4B | 78 BPM | ||
| Viens, mon bien-aimé | Cécile Chaminade, Sivan Goldman, Shira Shaked | G Major | 1 | 9B | 168 BPM | ||
| Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
| Maometto II, Act 3 Scene 5: Giusto Ciel (Arr. for Countertenor & String Quartet by Eric Mouret) | Gioachino Rossini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| L'Orfeo, SV 318, Act III: Sinfonia – Possente spirto | Claudio Monteverdi, Rolando Villazón, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| L'incoronazione di Poppea, SV 308: Pur ti miro - Arr. for Voice & Piano | Claudio Monteverdi, Théophile Alexandre, Guillaume Vincent, Chantal Santon Jeffery | G Major | 2 | 9B | 69 BPM | ||
| Manon / Act 3: Je marche sur les chemins...Obéissons quand leur voix appelle) | Jules Massenet, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 104 BPM | ||
| the little match girl passion: in the dawn of morning | David Lang, Theatre Of Voices, Paul Hillier | A♭ Major | 1 | 4B | 171 BPM |