Roses Are Red's ' "When Late Becomes Early" was released on its scheduled release date, June 6, 2003. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Roses Are Red's "Handshakes and Heartbreaks" album is number 2 out of 10. In terms of popularity, When Late Becomes Early is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of When Late Becomes Early by Roses Are Red to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Everyone's Got Something They're Running Out Of | The Junior Varsity | B Major | 8 | 1B | 159 BPM | ||
| First Time It Shouldn't Taste Like Blood | Boys Night Out | F♯ Minor | 10 | 11A | 95 BPM | ||
| A Minor Detail | Hidden In Plain View | C Major | 9 | 8B | 188 BPM | ||
| Drowning (One Last Breath) | Endwell | A♭ Minor | 10 | 1A | 177 BPM | ||
| Being Your Walls | Armor For Sleep | E Major | 9 | 12B | 128 BPM | ||
| Poison Like Your Own | Rookie Of The Year | A Minor | 9 | 8A | 168 BPM | ||
| And My Name's Dignan, so What? | A Day At The Fair | F♯ Major | 9 | 2B | 198 BPM | ||
| Fortunate | Yesterdays Rising | D♭ Major | 9 | 3B | 154 BPM | ||
| Glazed Over Eyes Never Lie | Secret Lives Of The Freemasons | D Major | 8 | 10B | 170 BPM | ||
| Fluxy | The Early November | F♯ Minor | 9 | 11A | 192 BPM | ||
| Pretty When You Cry | A Thorn For Every Heart | B Minor | 9 | 10A | 176 BPM | ||
| (May You One Day) Carry Me Home | The Forecast | E Major | 9 | 12B | 96 BPM | ||
| Tie Her Down | Senses Fail | G Major | 9 | 9B | 110 BPM | ||
| If Only Duct Tape Could Fix Everything | The Movielife | C Major | 8 | 8B | 118 BPM | ||
| The Closest I Am To Living Life On The Edge | Valencia | B Minor | 9 | 10A | 106 BPM | ||
| Vanity Score | Race The Sun | F♯ Major | 9 | 2B | 106 BPM | ||
| Bender | Don't Look Down | F♯ Major | 8 | 2B | 111 BPM | ||
| Life Through Winter | Deep Enough To Die | B Minor | 8 | 10A | 178 BPM | ||
| Monachetti | Further Seems Forever | F♯ Major | 9 | 2B | 135 BPM | ||
| Throw in the Towel | No Motiv | D Major | 10 | 10B | 158 BPM | ||
| In Dreams We Believe | Sydney | G Minor | 6 | 6A | 135 BPM | ||
| Happy V-Day | Reggie And The Full Effect | G Major | 9 | 9B | 97 BPM | ||
| Garden Statement | Hidden In Plain View | D Major | 9 | 10B | 165 BPM | ||
| Think Of Your Favorite Place | Four Letter Lie | D♭ Major | 9 | 3B | 165 BPM | ||
| Kill The Drama | Spitalfield | G Major | 9 | 9B | 93 BPM |