"O Venvs, Come!" by Behemoth had its release date on May 9, 2025. This song is quite longer than the average track at 5 minutes and 55 seconds. With that being said, this track is also considered explicit and may be offensive to some people. There are a total of 8 in the song's album "The Shit Ov God". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Based on our statistics, O Venvs, Come!'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With O Venvs, Come! by Behemoth having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gorechild | Chainsword | D♭ Major | 10 | 3B | 102 BPM | ||
| Submerged | Gaerea | F Minor | 9 | 4A | 140 BPM | ||
| Vomiting at Baalbek | Abduction | C Minor | 9 | 5A | 167 BPM | ||
| The Sojourner | In Mourning | F Minor | 10 | 4A | 119 BPM | ||
| Shemaforash | Behemoth | D♭ Major | 10 | 3B | 130 BPM | ||
| Blasphemy | Lord Belial | A Minor | 10 | 8A | 165 BPM | ||
| Hêlēl ben-Šaḥar | Aran Angmar | F♯ Major | 8 | 2B | 104 BPM | ||
| Before the Aeons Came | Behemoth | A Major | 10 | 11B | 135 BPM | ||
| Overcast | Nailed to Obscurity | F♯ Major | 10 | 2B | 160 BPM | ||
| Seeking Revenge | Nightfall | F♯ Major | 10 | 2B | 140 BPM | ||
| No Graves but the Sea | Harakiri for the Sky | E♭ Minor | 9 | 2A | 95 BPM | ||
| Majestic Moon | Malphas | B♭ Major | 9 | 6B | 120 BPM | ||
| Time and Timeless Timeline | Gaahls WYRD | B Minor | 10 | 10A | 140 BPM | ||
| When Misery Was A Stranger | Cradle Of Filth | D Major | 10 | 10B | 105 BPM | ||
| Among the Shades | Fragments Of Unbecoming | F Minor | 10 | 4A | 120 BPM | ||
| World? What World? | Changeling | F♯ Minor | 10 | 11A | 127 BPM | ||
| Night Of The Slain | Graceless | E Minor | 9 | 9A | 140 BPM | ||
| A Legacy of Sores | Abduction | A Major | 9 | 11B | 160 BPM | ||
| Gasmask Terror | Belphegor | C Major | 10 | 8B | 126 BPM | ||
| Silence Like The Grave | Paradise Lost | D Minor | 9 | 7A | 174 BPM | ||
| Pray to Your False God | Gaerea | F Major | 10 | 7B | 133 BPM | ||
| In Chaos Transcend | Lord Belial | D Minor | 10 | 7A | 125 BPM | ||
| Towards the Absence of Light | ...And Oceans | E♭ Minor | 9 | 2A | 109 BPM | ||
| Against the Dying of the Light | Dormant Ordeal | G Minor | 10 | 6A | 112 BPM | ||
| Antichrist | Lord Belial | C Major | 9 | 8B | 104 BPM |