Cheryl Frances-Hoad, Rambert Orchestra, Paul Hoskins's 'Quark Dances: II. Scherzando' had a release date set for June 30, 2017. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Quark Dances: II. Scherzando's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Stolen Rhythm: Works by Cheryl Frances-Hoad". In this album, this song's track order is #9. In terms of popularity, Quark Dances: II. Scherzando is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Quark Dances: II. Scherzando by Cheryl Frances-Hoad, Rambert Orchestra, Paul Hoskins having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stolen Rhythm | Cheryl Frances-Hoad, Matthew Schellhorn | A♭ Minor | 2 | 1A | 136 BPM | ||
| Mass of the Americas: VI. Agnus Dei | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | ||
| Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 124 BPM | ||
| A Mother's prayer | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Kristin Mulders, Thomas Berg-Juul | F♯ Minor | 0 | 11A | 71 BPM | ||
| O Tebe raduyetsia, Op. 15 No. 11 | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | E♭ Major | 0 | 5B | 121 BPM | ||
| Blessed is the man that endureth temptation | Harold Darke, The Choir of The Queen's College Oxford, Owen Rees, Molly Skeil | E Major | 2 | 12B | 133 BPM | ||
| Psaume 115 "Je crois, et je parlerai" | Yves Castagnet, Maîtrise de Saint-Christophe de Javel, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
| Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 2 | 10B | 102 BPM | ||
| Vasara (Summer) | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A Minor | 1 | 8A | 69 BPM | ||
| Otche nash | Ars Poliphonica | E Major | 2 | 12B | 133 BPM | ||
| Madrigals, Libro 1: No. 1, Baci soavi e cari, W. 1/13 | Carlo Gesualdo, La Compagnia del Madrigale | D Major | 1 | 10B | 81 BPM | ||
| Liturgy of St. John Chrysostom, Op. 41: VIII. The Creed | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Minor | 1 | 5A | 165 BPM | ||
| Organoedia ad missam lectam, K. 186: V. Sanctus | Zoltán Kodály, Iain Quinn | A Major | 0 | 11B | 68 BPM | ||
| Magic Lantern Tales: II. Lily Maynard | Cheryl Frances-Hoad, Nicky Spence, Sholto Kynoch | D Major | 1 | 10B | 84 BPM | ||
| Da pacem, Domine | Chloe May Evans, Ǣfendrēama | D♭ Major | 1 | 3B | 104 BPM | ||
| Scenes from Autistic Bedtimes: I. One | Cheryl Frances-Hoad, Edward Nieland, Natalie Raybould, Beth Higham-Edwards, Anna Menzies, Alistair Hogarth, George Jackson | A Minor | 1 | 8A | 78 BPM | ||
| Parce mihi, Domine | Cristobal de Morales, De Profundis, Eamonn Dougan | F Major | 0 | 7B | 130 BPM | ||
| Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): IV. Domine Fili | Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | D Major | 0 | 10B | 60 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| To Be Sung of a Summer Night on the Water, RT IV No. 2: I. — | Frederick Delius, The Carice Singers, George Parris | A Major | 2 | 11B | 130 BPM | ||
| The Cherubic Hymn | Alexander Pierce Hill, Apollo5 | E Major | 2 | 12B | 133 BPM | ||
| Mass for Four Voices: I. Kyrie | William Byrd, Stile Antico | F Minor | 1 | 4A | 79 BPM | ||
| A brief story of Peter Abelard (verson for soprano saxophone and organ) | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E Minor | 1 | 9A | 68 BPM | ||
| Daughter of the Vine (2024) | Diederik van der Laag, Oleksii Shamrytskyi, Sophia Chamber Choir | E Minor | 1 | 9A | 69 BPM |