"Too Good For This World" by Henry Jackman, Dominic Lewis had its release date on February 10, 2017. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "The Man In The High Castle: Season One (Music From The Amazon Original Series)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Too Good For This World is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Too Good For This World by Henry Jackman, Dominic Lewis having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Phoenix | Paul Haslinger | D♭ Minor | 0 | 12A | 80 BPM | ||
| Chuck Rhodes, Riderless Horse | Brendan Angelides, Eskmo | G Major | 1 | 9B | 85 BPM | ||
| Torn Apart | Dave Hahnall | F Major | 1 | 7B | 100 BPM | ||
| Cost of War | Matthew Margeson, Dominic Lewis | F Major | 4 | 7B | 111 BPM | ||
| Two Concurrent States (Plainsong, Pt. 2) | Ben Salisbury | G Minor | 1 | 6A | 66 BPM | ||
| El primer cuento | Fernando Velázquez | A Minor | 1 | 8A | 127 BPM | ||
| Tournament | Ilan Eshkeri | D Major | 3 | 10B | 134 BPM | ||
| A Discovery | Junkie XL | F Minor | 1 | 4A | 111 BPM | ||
| View From The Westgate | Dave Porter | C Major | 1 | 8B | 74 BPM | ||
| Plague To The Pharaohs | Dominic Lewis | F Minor | 3 | 4A | 130 BPM | ||
| Falling Bridge | SIE Sound Team, Takeshi Furukawa | B Major | 5 | 1B | 101 BPM | ||
| The Western Ghats | Henry Jackman | D Major | 1 | 10B | 124 BPM | ||
| Echoes Beneath | Antonio Esposito | C Major | 0 | 8B | 126 BPM | ||
| He Took It | Anne Nikitin | C Minor | 1 | 5A | 138 BPM | ||
| Late to the Theater | Henry Jackman, Gavin Greenaway, Tyler Bryant, Alex Belcher, Vicci Wardman, Caroline Dale, Chris Laurence, Richard Watkins, Richard Edwards, Owen Slade, Hugh Webb, Elyse Marchant, Junkie XL | D♭ Major | 0 | 3B | 92 BPM | ||
| Preparation for Attack | Alexandre Desplat | D♭ Major | 1 | 3B | 156 BPM | ||
| Control and Westerby | Alberto Iglesias | F Minor | 1 | 4A | 169 BPM | ||
| A Botepronto | Los Elocuentes | A Minor | 2 | 8A | 110 BPM | ||
| The Wellhouse | Torin Borrowdale | D♭ Major | 2 | 3B | 130 BPM | ||
| "What Are Our Odds?" | Alan Silvestri | C Major | 0 | 8B | 133 BPM | ||
| I Don't Even Know My Own Name | Junkie XL | F Minor | 1 | 4A | 66 BPM | ||
| The Midnight Sky | Alexandre Desplat | D♭ Minor | 3 | 12A | 78 BPM | ||
| Unofficial Treaties | Henry Jackman, Dominic Lewis | C Minor | 3 | 5A | 93 BPM | ||
| Deceit | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Slot Canyon | Trevor Gureckis | F♯ Major | 3 | 2B | 74 BPM |