On January 16, 2018, the song "Third Season Main Title" was released by John Williams. With This song being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Lost in Space, Vol. 9: The Space Primevals / Visit to a Hostile Planet / Collision of Planets / And More (Television Soundtrack)" album is number 1 out of 41. In terms of popularity, Third Season Main Title is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Third Season Main Title by John Williams to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Smell That Gold! - From "The Italian Job" Soundtrack | Quincy Jones | E Major | 3 | 12B | 80 BPM | ||
| Whirlwinds To The End Zone | Sam Spence | D Major | 9 | 10B | 134 BPM | ||
| Las Vegas Country Rock / Safe / Busted Play | Stu Phillips | E♭ Major | 4 | 5B | 108 BPM | ||
| Eternas | Armonias | B♭ Major | 1 | 6B | 145 BPM | ||
| ESCAPE FROM NEW YORK: Main Title | San Fernando Symphonic Assembly | E Minor | 3 | 9A | 79 BPM | ||
| Theme from Hill Street Blues (feat. Larry Carlton) | Mike Post, Larry Carlton | E♭ Major | 3 | 5B | 98 BPM | ||
| NYPD Blue | Mark Ayres | D♭ Minor | 1 | 12A | 84 BPM | ||
| Syncopated Clock | Percy Faith | D Major | 3 | 10B | 66 BPM | ||
| Finale and End Title March | John Williams | C Major | 5 | 8B | 89 BPM | ||
| We'll Be Back (End Credits) | Bruce Broughton | F Major | 3 | 7B | 134 BPM | ||
| Sunday With Soul | Sam Spence | F Major | 7 | 7B | 178 BPM | ||
| Blown To Bits | John Williams | F♯ Major | 1 | 2B | 131 BPM | ||
| The Alfred Hitchcock Theme | Frank Chacksfield & His Orchestra | D Major | 2 | 10B | 108 BPM | ||
| This is a Tale | Melbourne Symphony Orchestra, Nigel Westlake | D Minor | 2 | 7A | 92 BPM | ||
| Miss Marple Theme | Ron Goodwin, Rumon Gamba, BBC Philharmonic Orchestra | A Major | 2 | 11B | 84 BPM | ||
| The House Of Eliott | Jim Parker | A Major | 2 | 11B | 89 BPM | ||
| Final Struggle and Triumph | Angela Morley | C Major | 3 | 8B | 115 BPM | ||
| Aquarius/Let The Sunshine In | Henry Jerome | C Minor | 5 | 5A | 187 BPM | ||
| The Walkabout Bounce | Peter Best | A Major | 7 | 11B | 97 BPM | ||
| Drive Montage | Basil Poledouris | B♭ Major | 3 | 6B | 123 BPM | ||
| Red Dawn: End Title | Czech Philharmonic | B♭ Minor | 0 | 3A | 97 BPM | ||
| Galloping Home - Original Theme From "Black Beauty" | Denis King, The South Bank Orchestra | D♭ Major | 3 | 3B | 127 BPM | ||
| Sloth & Chunk | Dave Grusin | A♭ Major | 4 | 4B | 116 BPM | ||
| Wimbledon | Keith Mansfield | F♯ Major | 5 | 2B | 146 BPM | ||
| Live and Let Die Suite: IV. Baron Samedi's Dance of Death | George Martin, Berlin Music Ensemble, Craig Leon | F Minor | 6 | 4A | 112 BPM |