Aditya Prakash Ensemble's 'Addiction III (Comfort)' had a release date set for July 29, 2016. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Addiction III (Comfort)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Aditya Prakash Ensemble's "Mara" album is number 13 out of 18. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Addiction III (Comfort) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Addiction III (Comfort) by Aditya Prakash Ensemble to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Raghupati Raghav Rajaram | Subham jossi, Jeetu Bhowmik | D Major | 1 | 10B | 71 BPM | ||
| Pag Birar | Qais Essar | B Minor | 4 | 10A | 75 BPM | ||
| Sheikh Ali | Qais Essar | D Major | 5 | 10B | 162 BPM | ||
| Respiro Por Ti | RitmoLab | F Major | 4 | 7B | 90 BPM | ||
| Childhood | Aditya Prakash Ensemble | E Major | 10 | 12B | 123 BPM | ||
| Anar Anar | Qais Essar | F♯ Minor | 4 | 11A | 130 BPM | ||
| Husn Ko Be-Hijab Hona Tha (Majaz) | Ananyaa Gaurfarmayish | B♭ Major | 2 | 6B | 104 BPM | ||
| Maste Mange Bar | Qais Essar | D♭ Minor | 5 | 12A | 130 BPM | ||
| Meeting Of The Minstrels: Desert Jam No. 2 | Vieux Farka Touré, Madou Sidiki Diabaté, Barmer Boys, Lakha Khan | F♯ Major | 7 | 2B | 107 BPM | ||
| Chakka - Kintsugi Sessions | The Aahvaan Project | A Major | 3 | 11B | 168 BPM | ||
| South Indian Temple Music | Preetam Maer | F Major | 4 | 7B | 160 BPM | ||
| Life Is A Grand Romance | Bickram Ghosh | D Major | 8 | 10B | 83 BPM | ||
| The Last Poem | Bickram Ghosh | B♭ Minor | 0 | 3A | 83 BPM | ||
| Aaji Bijan Ghare | Iman Halder | G Minor | 1 | 6A | 57 BPM | ||
| The Delight of Hamir Kalyani | Narayan Sharma | A Minor | 4 | 8A | 140 BPM | ||
| We Return to Love | Anoushka Shankar, Alam Khan, Sarathy Korwar | F♯ Major | 2 | 2B | 76 BPM | ||
| Nila Kaigiradhu (Flute) | Flute Siva, Shashank Subramanyam, Patri Satish Kumar | C Major | 1 | 8B | 92 BPM | ||
| Saibhang - Live | Shivpreet Singh | D Minor | 2 | 7A | 85 BPM | ||
| Mandirva | Advaita | B Minor | 5 | 10A | 148 BPM | ||
| Strings of Serenity | Mehtab Ali Niazi, Pratik Shrivastava | B Major | 6 | 1B | 95 BPM | ||
| Raga Aberi Track 07 | L. Shankar | B♭ Minor | 6 | 3A | 92 BPM | ||
| Bahudari | Apoorva Krishna | B♭ Minor | 7 | 3A | 150 BPM | ||
| Source | Ablaye Cissoko, Kiya Tabassian, Constantinople | C Major | 1 | 8B | 92 BPM | ||
| The Silent Sea | Advaita | B♭ Major | 5 | 6B | 135 BPM | ||
| Blessings of the Heart, Pt. 2 (Iman Kalyan) | Ali Akbar Khan | G Major | 5 | 9B | 138 BPM |