- BPM
- 83
- Key
- F Major
- Camelot
- 7B
Study No. 3a by Conlon Nancarrow Song Details
On January 1, 1977, the song "Study No. 3a" was released by Conlon Nancarrow. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 46 in the song's album "Studies for Piano Player". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Study No. 3a is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
BPM and Tempo
With Study No. 3a by Conlon Nancarrow having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Music Key
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 6%
- Loudness
- -13.876 dB
- Acousticness
- 78%
- Danceability
- 33%
- Energy
- 56%
- Instrumentalness
- 2%
- Liveness
- 29%
- Loudness
- 77%
- Speechiness
- 4%
- Valence
- 93%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | A Morning in the Woods | Leo Ornstein, Janice Weber | B♭ Minor | 0 | 3A | 63 BPM | |
 | Poème Electronique | Edgard Varèse | A♭ Major | 0 | 4B | 70 BPM | |
 | Verklärte Nacht, Op. 4 - Version for String Sextet: I. Sehr langsam | Arnold Schoenberg, LaSalle Quartet, Donald McInnes, Jonathan Pegis | C Minor | 1 | 5A | 85 BPM | |
 | Wood Notes: II. Autumn Night: Lightly | William Grant Still, Fort Smith Symphony, John Jeter | D Minor | 0 | 7A | 65 BPM | |
 | String Quartet in G Minor, Op. 10, L. 85: I. Animé et très décidé | Claude Debussy, Juilliard String Quartet | G Minor | 2 | 6A | 72 BPM | |
 | Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": I. Preludio | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | E♭ Major | 2 | 5B | 89 BPM | |
 | Preludes: Le nombre leger (The Light Number) | Olivier Messiaen, Håkon Austbø | B Major | 1 | 1B | 68 BPM | |
 | Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | |
 | Schoenberg: 3 Piano Pieces, Op. 11: No. 2, Mässige Achtel | Arnold Schoenberg, Daniel Barenboim | B♭ Major | 0 | 6B | 134 BPM | |
| Preludes: Chan d'extase dans une paysage triste (Song of Ecstasy in a Sad Landscape) | Olivier Messiaen, Håkon Austbø | D♭ Minor | 0 | 12A | 72 BPM | |
 | New York Counterpoint (Version for Clarinet & Tape): I. Quarter Note = 18 | Steve Reich, Andrea Nagy | F♯ Major | 3 | 2B | 92 BPM | |
 | Violin Concerto No.2 "The American Four Seasons" - Movement I | Philip Glass, Robert McDuffie, Marin Alsop, London Philharmonic Orchestra | G Minor | 3 | 6A | 120 BPM | |
 | Symphony of Psalms, K52: II. Expectans expectavi Dominum (Psalm 40) | Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | B♭ Minor | 0 | 3A | 83 BPM | |
| Vermont Counterpoint | Steve Reich, Anne Parisot, Delphine Roche | A Minor | 3 | 8A | 116 BPM | |
 | Le marteau sans maître: Commentaire I de "Bourreaux de solitude" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 1 | 4A | 87 BPM | |
 | Lost Highway (2002/03): Scene 1.2 | Olga Neuwirth, Constance Hauman, Grayson Millwood, Johannes Kalitzke, Klangforum Wien, Rodolfo Seas-Araya, Vincent Crowly | C Major | 0 | 8B | 91 BPM | |
 | Etude No. 14 | Philip Glass, Maki Namekawa | B♭ Minor | 2 | 3A | 98 BPM | |
 | Piano Concerto No. 3, BB 127, Sz. 119: I. Allegretto | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | |
 | Die Kommissarin (The Commissar): Spaziergange d. Wawilowa durch die Stadt | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | E Minor | 0 | 9A | 73 BPM | |
 | Study No. 3d | Conlon Nancarrow | F Minor | 1 | 4A | 186 BPM | |
 | Three Preludes: II. Andante con moto e poco rubato in C Sharp Minor | George Gershwin, Frank Braley | F♯ Major | 0 | 2B | 70 BPM | |
 | Orgelbüchlein, BWV 599-644: Durch Adams Fall ist ganz verderbt, BWV 637 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Minor | 0 | 7A | 135 BPM | |
 | Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | |
 | The Wind in High Places: II. Maclaren Summit | John Luther Adams, JACK Quartet | D Major | 1 | 10B | 103 BPM | |
 | Mirror - En Vivo | Jimmy Herrera | F Major | 1 | 7B | 107 BPM |
- ISRC
- US66S0810001
- Label
- L-M Records/RCA Records