Hemant Sharma, Bindu Paudel's ' "Dharti Mathi Jun (Chamak Chamak Chamkiyo)" was released on its scheduled release date, February 9, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Dharti Mathi Jun (Chamak Chamak Chamkiyo) and no other songs are present in the album, we classify this track as a single. The popularity of Dharti Mathi Jun (Chamak Chamak Chamkiyo) is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Dharti Mathi Jun (Chamak Chamak Chamkiyo) by Hemant Sharma, Bindu Paudel is Vivace (lively and fast), since this song has a tempo of 164 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maya Ta Yesto Hos | Hemant Sharma | F♯ Major | 5 | 2B | 120 BPM | ||
| Phul Butte Sari - Female Version | Milan Newar | D♭ Major | 8 | 3B | 105 BPM | ||
| Ukali Chadaula | Uday Sotang, Manila Sotang | E Major | 7 | 12B | 152 BPM | ||
| Sali Mann Paryo (From "Ghamad Shere") | Kali Prasad Baskota, Asmita Adhikari | F Minor | 9 | 4A | 101 BPM | ||
| Nisthuri Mayalu | Shila Bahadur Moktan, Kunti Moktan | F♯ Major | 5 | 2B | 85 BPM | ||
| Reemai (From"Reemai") | Rita KC, Aanshu Lama, Dipak Sharma | A♭ Major | 8 | 4B | 174 BPM | ||
| Tagaroma Rumal Rakhi | Bibek Shrestha-kandara Band | A♭ Major | 8 | 4B | 149 BPM | ||
| Asarai Mahinama | Sudhan Gurung | A Major | 5 | 11B | 114 BPM | ||
| Naumati Baja | Shambhu Rai, Satya Kala Rai, Laxmi Adhikari | G Major | 4 | 9B | 117 BPM | ||
| Dekhana Champa (From "Chhakka Panja") | Krishna Kafle, Deepa Shree Niraula, Dipak Sharma | D♭ Major | 9 | 3B | 95 BPM | ||
| Mayalu Timi 2 | Smita Dahal, Rajan Raj Siwakoti | C Minor | 9 | 5A | 109 BPM | ||
| Thakeko Yo Najarma | Yash Kumar | G Major | 3 | 9B | 101 BPM | ||
| Bhanchhan Kohi Jindagani | Shila Bahadur Moktan, Kunti Moktan | D♭ Major | 5 | 3B | 77 BPM | ||
| Mayako Doli Chadai | Yash Kumar, Pabita Pariyar | C Major | 6 | 8B | 160 BPM | ||
| Banma Fulyo Phool | Aagantuk Kharel | G Major | 7 | 9B | 100 BPM | ||
| Sayad Timro Batoma | Raju Lama | B Minor | 9 | 10A | 130 BPM | ||
| Kanchhi Ko Allare Jovan | Bidhan Shrestha | A Major | 4 | 11B | 74 BPM | ||
| Birano Yo Mandir | Yash Kumar | F Major | 5 | 7B | 75 BPM | ||
| Nirmaya Thuli | Laxmi Malla, Swaroop Raj Acharya | A Major | 4 | 11B | 105 BPM | ||
| Goli Sisha Ko | Umesh Pandey, Ramana Shrestha | G Major | 5 | 9B | 105 BPM | ||
| Tal Tal Talkine (From "Bir Bikram") | Rajesh Payal Rai, Anila Rai, Tara Prakash Limbu | G Major | 6 | 9B | 80 BPM | ||
| Timro Mayale Baadhera Raakha | Shyam Karki | G Major | 6 | 9B | 78 BPM | ||
| Himchulima Gham Lagyo | Ram Chandra Kafle | F♯ Major | 6 | 2B | 95 BPM | ||
| Timi Bahek Mero Aru Kohi Chhaina | Hemant Sharma, Eleena Chauhan | G Major | 6 | 9B | 140 BPM | ||
| Kasari Bhanu Timilai | Sugam Pokharel | E Major | 4 | 12B | 106 BPM |