Edward Elgar, Sir Colin Davis, London Symphony Orchestra's ' "Enigma Variations: Variation II. H.D.S-P - Allegro" was released on its scheduled release date, June 5, 2007. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 3 out of 16 in Elgar: Enigma Variations, Introduction & Allegro by Edward Elgar, London Symphony Orchestra, Sir Colin Davis. In terms of popularity, Enigma Variations: Variation II. H.D.S-P - Allegro is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Enigma Variations: Variation II. H.D.S-P - Allegro by Edward Elgar, Sir Colin Davis, London Symphony Orchestra is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony in Three Movements: I. Crotchet = 160 | Igor Stravinsky, Valery Gergiev, London Symphony Orchestra | G Major | 1 | 9B | 85 BPM | ||
| La boîte à joujoux, L. 128: Épilogue | Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas | F Minor | 0 | 4A | 91 BPM | ||
| The Planets, Op. 32: V. Saturn, the Bringer of Old Age | Gustav Holst, Chicago Symphony Orchestra, James Levine | G Major | 0 | 9B | 132 BPM | ||
| Tchaikovsky: Swan Lake, Op. 20, Act 4: No. 25, Entr'acte | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | D♭ Major | 0 | 3B | 81 BPM | ||
| Strauss, R: Ein Heldenleben, Op. 40: V. Des Helden Friedenswerke | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker, Guy Braunstein | D Major | 1 | 10B | 87 BPM | ||
| Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein | A♭ Major | 1 | 4B | 92 BPM | ||
| Symphony No. 2 in B Minor: IV. Finale. allegro | Alexander Borodin, Carlos Kleiber, Radio Sinfonieorchester Stuttgart des SWR | G Major | 3 | 9B | 137 BPM | ||
| The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - Mystic Circles of the Young Girls (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | F♯ Minor | 0 | 11A | 59 BPM | ||
| Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, Sir Colin Davis, London Symphony Orchestra | D Major | 1 | 10B | 171 BPM | ||
| Piano Concerto No. 1, BB 91, Sz. 83: III. Allegro molto | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
| The Planets, Op. 32: V. Saturn, the Bringer of Old Age | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | C Major | 0 | 8B | 67 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): VIIIa. Catacombae "Sepulcrum romanum" | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Minor | 0 | 10A | 67 BPM | ||
| From Holberg's Time, Op. 40: III. Gavotte: Allegretto - Musette: Un poco mosso - Gavotte | Edvard Grieg, Moscow Soloists, Yuri Bashmet | E♭ Major | 2 | 5B | 74 BPM | ||
| Tchaikovsky: Swan Lake, Op. 20, Act 3: No. 24, Scene. Allegro - Valse - Allegro vivo | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A♭ Major | 2 | 4B | 69 BPM | ||
| The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
| Schumann: Symphony No. 4 in D Minor, Op. 120: III. Scherzo (Lebhaft) | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | F Major | 1 | 7B | 81 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op. 61: No. 5, Allegro appassionato | Felix Mendelssohn, London Symphony Orchestra, Ceri-lyn Cissone, John Eliot Gardiner, Alexander Knox | D Minor | 0 | 7A | 99 BPM | ||
| Schumann: Symphony No. 3 in E-Flat Major, Op. 97, Rhenish: V. Lebhaft | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 3 | 5B | 106 BPM | ||
| Symphony No. 5 in D Major: IV. Passacaglia. Moderato | Ralph Vaughan Williams, Antonio Pappano, London Symphony Orchestra | G Minor | 1 | 6A | 57 BPM | ||
| Tchaikovsky: Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 1 | 11B | 146 BPM | ||
| Variations on a theme of Frank Bridge, Op. 10: VI. Bourrée classique | Benjamin Britten, English Chamber Orchestra | D Major | 2 | 10B | 103 BPM | ||
| Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
| Spanish Capriccio in A Major, Op. 34: II. Variazioni. Andante con moto | Nikolai Rimsky-Korsakov, Czech Philharmonic, Vladimír Válek | E Minor | 1 | 9A | 76 BPM | ||
| Carnival of the Animals: I. Introduction and Royal March of the Lion | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | G Major | 2 | 9B | 79 BPM |