"Lizard Tail" by Jonathan Goldsmith had its release date on May 18, 1999. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Lizard Tail's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Such a Long Journey". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Canada. In terms of popularity, Lizard Tail is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Lizard Tail by Jonathan Goldsmith having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Into a Hidden Place | Levi Patel | D Major | 2 | 10B | 70 BPM | ||
| Cycle | Peter Gregson, Sarah D'Angelo, Henry Flory, Eunice Kim, Derek Powell, Esme Allen-Creighton, Dana Rokosny, Douglas Jameson, Ali Cook | D Major | 0 | 10B | 78 BPM | ||
| No Olvido De Tu Carita | Brake Vibe | F♯ Major | 2 | 2B | 120 BPM | ||
| The Black Fedora | Jonathan Goldsmith | F♯ Major | 5 | 2B | 79 BPM | ||
| Good Luck | Nima Fakhrara | A Minor | 2 | 8A | 93 BPM | ||
| Photographs Revealed You from What I Was Blind To | Greater Alexander | B♭ Major | 1 | 6B | 74 BPM | ||
| Funky Bones 2 Pt. 1 | Mike Mogis, Nathaniel Walcott | F Minor | 1 | 4A | 75 BPM | ||
| Freshair | Ale Power | D♭ Minor | 0 | 12A | 77 BPM | ||
| Some Days Are Better Than Others | Matthew Robert Cooper | D Major | 4 | 10B | 172 BPM | ||
| I Know It's a Boy | Dan Romer, Saul Simon MacWilliams | D♭ Major | 2 | 3B | 103 BPM | ||
| Colors You Cannot See | Coby Brown | A Minor | 0 | 8A | 101 BPM | ||
| Interrogation | Burkhard Dallwitz | D Major | 1 | 10B | 105 BPM | ||
| To Become a Ghost Observing Haunted Pain | Greater Alexander | C Major | 2 | 8B | 66 BPM | ||
| The Endless Battle of the Maudlin Ballade, Pt. 3 | Adam Wiltzie | A Minor | 0 | 8A | 66 BPM | ||
| Don't Worry | Philip Ekström | F Major | 0 | 7B | 172 BPM | ||
| Skin | Ben Salisbury, Geoff Barrow | D♭ Major | 0 | 3B | 108 BPM | ||
| The Music Comes From the Heavens | Peter Gregson | B♭ Major | 1 | 6B | 138 BPM | ||
| Arriving in America | Michael Brook | E Major | 2 | 12B | 141 BPM | ||
| Var – Er: VIII. Anima Mundi | Viktor Orri Árnason, Budapest Art Orchestra | B Major | 2 | 1B | 145 BPM | ||
| Part 1.5 | Jóhann Jóhannsson, Guðmundur Sigurðsson, Hörður Bragason, Skúli Sverrisson, Matthías M.D. Hemstock, Caput Ensemble, Guðni Franzson | C Major | 1 | 8B | 70 BPM | ||
| Prelude / Opening | Jonathan Goldsmith | D♭ Major | 1 | 3B | 121 BPM | ||
| Our Last Days | Northern Harbor | G Major | 0 | 9B | 77 BPM | ||
| A Memorial Garden On Enghavevej - From „Copenhagen Dreams” Soundtrack | Jóhann Jóhannsson | G Minor | 2 | 6A | 75 BPM | ||
| A Journey Wrapped in Autumn's Light | Quincy Vallette | G Major | 10 | 9B | 135 BPM | ||
| Ecstasy | Theodore Shapiro | C Major | 2 | 8B | 87 BPM |