On March 4, 2022, the song "Srushthigarjuna" was released by Subrahmanya Dhareshwara. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Srushthigarjuna's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 14 in Dhareshwara Gana Dhare, Vol. 2 by Subrahmanya Dhareshwara. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Srushthigarjuna is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Srushthigarjuna by Subrahmanya Dhareshwara is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thirupallandu | Ranganathan, Malola Kannan | G Major | 5 | 9B | 95 BPM | ||
| Bhagyada Lakshmi Baramma | Purandara Dasara Bhakta Bandugalu | G Major | 7 | 9B | 145 BPM | ||
| Shabarigiri Srinilayam | Puttur Narasimha Nayak | D Minor | 7 | 7A | 93 BPM | ||
| Vudaladolai Kenadonji | Vidyabhushana | F Major | 7 | 7B | 161 BPM | ||
| Anjumugam Thoandril Aarumugam Thoandrum | Thevaara Isai Mani Ka. Venkatesan | D Minor | 5 | 7A | 114 BPM | ||
| Naadattin | Unni Menon | D Major | 5 | 10B | 91 BPM | ||
| Ayiram Deivangal | Maharajapuram Santhanam | A♭ Minor | 3 | 1A | 97 BPM | ||
| Maaley Manivanna - Nithyasree Mahadevan | Nithyasree Mahadevan | A♭ Minor | 6 | 1A | 175 BPM | ||
| Saranam Saranam Maruthi | Mano | E Major | 5 | 12B | 97 BPM | ||
| Lakshmee Nrisimha Karaavalamba Stotram | M. S. Sheela | D Major | 3 | 10B | 74 BPM | ||
| Deepa Vadive Thirumagale | Saindhavi | G Major | 8 | 9B | 144 BPM | ||
| Pattum Naane | T. L. Maharajan | G Major | 4 | 9B | 167 BPM | ||
| Sri Kshema Lingesha | Maruthi Kasara, Narona Sarika, Chandramappa Master, Revayya Vasthradamath | B♭ Major | 7 | 6B | 164 BPM | ||
| Yeke Mukanadyo Guruve | Bhimsen Joshi | D Major | 5 | 10B | 83 BPM | ||
| Mahishasura Mardhini | Ramana | F Minor | 6 | 4A | 136 BPM | ||
| Gandana Upakara | Shivarudriaha Gowd, Sidrama Patil, Siddanna Desai | E♭ Minor | 7 | 2A | 179 BPM | ||
| Aggada Arivi | C. Ashwath, Shimoga Subbanna | F Major | 3 | 7B | 80 BPM | ||
| Bhavayami | E. Gayathri, M. S. Subbulakshmi | G Major | 6 | 9B | 173 BPM | ||
| Mugalakoda Guruva | Siddal Patil, Lalitha Chowdal, Revayya Vasthradamath | A♭ Major | 9 | 4B | 155 BPM | ||
| Hoova Node | Thangi Krishnegowda, Yuvaraj, Vijay Ygnanarayana | D♭ Major | 7 | 3B | 72 BPM | ||
| Sri Ramachandra Kripalu - Bhajan - Ragamaiika - Adi - Live | T. M. Krishna | E Minor | 3 | 9A | 112 BPM | ||
| Halallaadaru Haaku | Rajkumar | C Major | 3 | 8B | 146 BPM | ||
| Adithya Hridayam Navagraha Stothra | Dr. Kridhya, L. Krishnan, Bombay Sisters | C Major | 2 | 8B | 136 BPM | ||
| Yenagado Yenagado | Chennaveera Gavayi | D Major | 5 | 10B | 112 BPM | ||
| Ondu Baari Smarane Saalade | Venkatesh Kumar | F♯ Major | 6 | 2B | 160 BPM |