Nikhil Banerjee's 'Mand-Gat In Sitarkhani Taal' had a release date set for May 31, 2004. This song appears to be safe for all ages as it is not explicit. There are a total of 14 in the song's album "Sitar - Pt. Nikhil Banerjee". In this album, this song's track order is #11. Furthermore, we believe that the track originated from India. Based on our statistics, Mand-Gat In Sitarkhani Taal's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mand-Gat In Sitarkhani Taal by Nikhil Banerjee having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 8.5 Beats | Anindo Chatterjee | B Minor | 6 | 10A | 124 BPM | ||
| Chayanat | Buddhadev DasGupta | C Major | 5 | 8B | 176 BPM | ||
| Durga | Shruti Sadolikar | D♭ Major | 4 | 3B | 173 BPM | ||
| Raga Yaman: Alap | Zia Mohiuddin Dagar | E♭ Major | 0 | 5B | 135 BPM | ||
| Medium Tintal | Nikhil Banerjee | A Minor | 4 | 8A | 89 BPM | ||
| Manomanjari Tintal | Nikhil Banerjee | A♭ Major | 4 | 4B | 153 BPM | ||
| Circle Of Life | Bickram Ghosh | D♭ Major | 3 | 3B | 89 BPM | ||
| Nature Sphere | Kaustav Majumder | B♭ Major | 2 | 6B | 84 BPM | ||
| Raga Des Bhajan | G.S. Sachdev | F Major | 2 | 7B | 119 BPM | ||
| Ektaal | Zakir Hussain | F♯ Major | 9 | 2B | 133 BPM | ||
| Vanajaksha (Behag Varnam) [Veena] | Ramana Balachandhran | D Major | 3 | 10B | 66 BPM | ||
| Nindiya Na Aye Sham - Pahadi - Keharwa | Lakshmi Shankar, Shyam Kani, Liaqat Ali Khan | F♯ Minor | 5 | 11A | 85 BPM | ||
| Kashmiri Dhun in Dadra Tal | Ronu Majumdar, Abhijit Banerjee | E Major | 1 | 12B | 137 BPM | ||
| Folk: Aadhi Taal, 8 Beats | Pandit Vinayak Vora, M. Kalyanaraman | A Major | 5 | 11B | 118 BPM | ||
| Chaar Paanch Chhey | Tanpura Express | F Major | 6 | 7B | 214 BPM | ||
| Lalit | Hariprasad Chaurasia | E Major | 2 | 12B | 124 BPM | ||
| Raga Des Rupaktal | G.S. Sachdev | F Major | 2 | 7B | 115 BPM | ||
| He Govinda He Gopal - Vibhaas - Dadra | Kishori Amonkar, Sudhir Pandey | B♭ Major | 1 | 6B | 120 BPM | ||
| The Core - Original Mix | Kaustav Majumder | G Major | 5 | 9B | 175 BPM | ||
| Kriti: "Mīnākṣi Me Mudam" / Svara Kalpana | Ranganayaki Rajagopalan, Raja Rao | F Minor | 6 | 4A | 164 BPM | ||
| Raga Yaman Alap | Shahid Parvez | D♭ Major | 1 | 3B | 79 BPM | ||
| Anjali to Sérana | Serge Serna | F Major | 3 | 7B | 81 BPM | ||
| Lalit | Bismillah Khan | A Major | 6 | 11B | 100 BPM | ||
| Abhogi | Hariprasad Chaurasia | E Major | 2 | 12B | 96 BPM | ||
| Raga Mand | Shahid Parvez | D♭ Major | 3 | 3B | 142 BPM |