Ricky Jamaraz's 'Where'd You Get Those Bruises?' had a release date set for February 1, 2025. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 46 in the song's album "Return To Zero (Deluxe Edition)". In this album, this song's track order is #4. In terms of popularity, Where'd You Get Those Bruises? is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Where'd You Get Those Bruises? by Ricky Jamaraz having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wristwatch | Thesaurus Rex | B♭ Major | 8 | 6B | 196 BPM | ||
| Digital Camera (A Word For The End) | Ricky Jamaraz | D Major | 8 | 10B | 185 BPM | ||
| Sleeping On Trains | James Marriott | F Minor | 9 | 4A | 166 BPM | ||
| Don't Be A Salad | DUDE, MY DUDE | G Major | 10 | 9B | 120 BPM | ||
| Stolen Place | Gifthorse, Jack Manifold | D♭ Major | 9 | 3B | 162 BPM | ||
| joyrider | second thoughts | A♭ Major | 8 | 4B | 158 BPM | ||
| Starry Eyes | Ricky Jamaraz | A Major | 9 | 11B | 100 BPM | ||
| RISE AND GRIND | NOAHFINNCE | C Major | 9 | 8B | 154 BPM | ||
| feel you breathe (please) | Ewy | B Minor | 4 | 10A | 85 BPM | ||
| I'll Give You The Moon | Charlie Bennett | D♭ Major | 6 | 3B | 95 BPM | ||
| how would you know | second thoughts | D Major | 9 | 10B | 167 BPM | ||
| Oh Distant You | Wilbur Soot | D♭ Major | 1 | 3B | 122 BPM | ||
| To the Boneyard | Los Campesinos! | D Major | 9 | 10B | 124 BPM | ||
| Moth Man | Dirty Bynum | C Major | 8 | 8B | 184 BPM | ||
| good boy | i.am.orange, fredo disco | A Major | 4 | 11B | 108 BPM | ||
| Knife.Mkv | Murder Person for Hire | D♭ Major | 4 | 3B | 113 BPM | ||
| Letters Between Two People | Sammy Phase | C Major | 3 | 8B | 94 BPM | ||
| Lone Star | The Front Bottoms | E Major | 9 | 12B | 149 BPM | ||
| Westeasterly | Blue Foster | C Major | 1 | 8B | 116 BPM | ||
| Nights Like These | Pigeon Pit | D Major | 3 | 10B | 92 BPM | ||
| Moving | The Happy Fits | A Minor | 8 | 8A | 153 BPM | ||
| gates & gardens | SNAKE POOL | A♭ Major | 9 | 4B | 150 BPM | ||
| MOVE ON TOO | Mickey Darling | A♭ Major | 7 | 4B | 155 BPM | ||
| Solitary Confinement | Everybody's Worried About Owen | A♭ Minor | 5 | 1A | 69 BPM | ||
| Rocket Ships | cavetown offline | A Major | 5 | 11B | 140 BPM |