"When the Party’s Over - Instrumental Version" by Billie Eilish, London Music Works, Nick Squires had its release date on December 15, 2023. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in London Music Works, Nick Squires's "Imitation Games Vol.2" album is number 3 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, When the Party’s Over - Instrumental Version's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of When the Party’s Over - Instrumental Version by Billie Eilish, London Music Works, Nick Squires to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gravity Swallows Light | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| Hexachordia | Cyrus Reynolds | G Minor | 2 | 6A | 94 BPM | ||
| Pulling a Thread | Kerry Muzzey, The Chamber Orchestra Of London | A Minor | 4 | 8A | 104 BPM | ||
| The Scholar's Mate | Carlos Rafael Rivera | C Major | 3 | 8B | 136 BPM | ||
| Perfect Day (from "Peter Rabbit and Friends") | Miriam Stockley, London Music Works, Nick Squires | D Minor | 2 | 7A | 173 BPM | ||
| Lovely Fire in Another Love | Gabriel Albuquerqüe, Gabriel Piano | E♭ Major | 6 | 5B | 80 BPM | ||
| Mind Heist - From "Inception" | Zack Hemsey, London Music Works | A♭ Major | 3 | 4B | 92 BPM | ||
| Why Do We Fall? - From "The Dark Knight Rises" | Hans Zimmer, London Music Works | D Minor | 4 | 7A | 103 BPM | ||
| if you build it, they will come | Jean-Michel Blais | B Major | 2 | 1B | 96 BPM | ||
| Fusion | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| So Say We All | London Music Works | G Minor | 4 | 6A | 91 BPM | ||
| Victory | London Music Works | A♭ Major | 6 | 4B | 171 BPM | ||
| Greatest Change | Jeremy Tai, Zlatomir Fung | B Minor | 2 | 10A | 84 BPM | ||
| Anima II | Olivia Belli | E♭ Minor | 0 | 2A | 69 BPM | ||
| Christine's Theme | Patrick Hamilton | F Major | 0 | 7B | 100 BPM | ||
| Sad Theme | LUDEN | A♭ Major | 5 | 4B | 125 BPM | ||
| The Wedding | Johannes Lehniger, Lisa Morgenstern, Sebastian Damerius | F Minor | 2 | 4A | 125 BPM | ||
| Grief | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | A Major | 3 | 11B | 96 BPM | ||
| We Are Gods | Harry Lightfoot, London Music Works | A♭ Major | 6 | 4B | 171 BPM | ||
| Lullaby for Sadness | Eternal Eclipse | G Minor | 6 | 6A | 98 BPM | ||
| Mellifluous | Kyle Preston | G Minor | 2 | 6A | 82 BPM | ||
| Arctic Wolves | Jacob Shea, Sara Barone | C Minor | 3 | 5A | 129 BPM | ||
| Bear Story II | Luke Howard, London Music Works, Nick Squires | B♭ Minor | 3 | 3A | 71 BPM | ||
| Robin's Cello | Phoria | G Major | 0 | 9B | 115 BPM | ||
| Dune: Part Two Main Theme - Piano Version | Patrik Pietschmann | D Major | 0 | 10B | 80 BPM |