Yosuke Onuma's '海の上で' had a release date set for November 21, 2001. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "nu jazz". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Japan. 海の上で is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 海の上で by Yosuke Onuma having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Autumn Frets | Antoine LeGrand | D Minor | 2 | 7A | 79 BPM | ||
| Left With Quiet | Satini | B♭ Minor | 1 | 3A | 198 BPM | ||
| Lullaby | Martin Lindholm | C Major | 5 | 8B | 110 BPM | ||
| Sunset Hideaway | 内山覚 | F Major | 6 | 7B | 90 BPM | ||
| まぶしい草野球 | 渡辺幹男 | B Minor | 4 | 10A | 120 BPM | ||
| Estudio Poéticos | Pieter Nanne | D Major | 1 | 10B | 80 BPM | ||
| Fading Sun | Midnight Blues | B♭ Minor | 1 | 3A | 198 BPM | ||
| Unbreakable Will | Audiojuice | C Major | 1 | 8B | 90 BPM | ||
| Someday My Prince Will Come | Acousphere | B♭ Major | 4 | 6B | 184 BPM | ||
| daisy chain | Goro Ito | B♭ Major | 2 | 6B | 104 BPM | ||
| Samba's Embrace | Pedro Batista | D Major | 5 | 10B | 156 BPM | ||
| My Borrowed Umbrella | Willowdale | B♭ Minor | 1 | 3A | 198 BPM | ||
| Fair Agreement, Pt. II | Carpiso | G Major | 7 | 9B | 102 BPM | ||
| Promising Sign | Dai Sakakibara | C Major | 2 | 8B | 121 BPM | ||
| Aan de Familietafel | Restaurant 1818 | B♭ Minor | 1 | 3A | 198 BPM | ||
| Peacefully You | Your Sisters Notes | B♭ Major | 1 | 6B | 171 BPM | ||
| A Sketch of Brass | Jazzette | C Major | 3 | 8B | 170 BPM | ||
| Late Night Strings | Helios Jazz Club | A Major | 1 | 11B | 113 BPM | ||
| Fallen Symmetry | Ballroom Jazz Collective | G Minor | 1 | 6A | 102 BPM | ||
| Come In My Bed | Costa Azul Quartet, Romany Guitar Connection, Orquesta Casino De La Habana | A Minor | 3 | 8A | 93 BPM | ||
| Mundo Cargo | Shupetta | B♭ Minor | 1 | 3A | 198 BPM | ||
| Star Cabin | James Jackson Jazz Trio | A Major | 1 | 11B | 104 BPM | ||
| Shadows Become Silhouettes | Alan Shoesmith, Mike Milligan | G Major | 2 | 9B | 120 BPM | ||
| In the Moment | Jamie Wilkis | A Minor | 1 | 8A | 64 BPM | ||
| Syncopated Secrets | Margherita Cabret | C Major | 2 | 8B | 120 BPM |