Misery Signals's 'Coma' had a release date set for 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 10 in Controller by Misery Signals. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. The popularity of Coma is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Coma by Misery Signals is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Paul Bunyan and the Blue Ox | The Tony Danza Tapdance Extravaganza | E Major | 9 | 12B | 161 BPM | ||
| Loved Ones (excerpts from speeches of how great you were, and will never be again) | Poison The Well | F Major | 9 | 7B | 83 BPM | ||
| Yippie-Kay-Yay Mother!@#$%^ | The Tony Danza Tapdance Extravaganza | C Minor | 10 | 5A | 145 BPM | ||
| Translucence | Reflections | D♭ Major | 9 | 3B | 79 BPM | ||
| Chrono | The Ghost Inside | B♭ Minor | 10 | 3A | 120 BPM | ||
| Incisions | Remembering Never | F♯ Major | 8 | 2B | 149 BPM | ||
| Lost in Our Escape | Ever Forthright | C Major | 9 | 8B | 165 BPM | ||
| Selkies: The Endless Obsession | Between The Buried And Me | F♯ Minor | 9 | 11A | 99 BPM | ||
| Nearly 30 | Confession | D♭ Major | 9 | 3B | 102 BPM | ||
| Slipping Away | The Ghost Inside | F♯ Major | 9 | 2B | 118 BPM | ||
| Americans | This Or The Apocalypse | B Minor | 10 | 10A | 135 BPM | ||
| Zyglrox | Periphery | F Minor | 10 | 4A | 145 BPM | ||
| Caves | Elitist | G Major | 10 | 9B | 91 BPM | ||
| Subverse | This Or The Apocalypse | D♭ Minor | 10 | 12A | 140 BPM | ||
| Render The Void | ERRA | B♭ Minor | 10 | 3A | 175 BPM | ||
| Bet It All on Black | I Killed The Prom Queen | G Major | 10 | 9B | 93 BPM | ||
| In Regards To Myself | Underoath | B♭ Major | 10 | 6B | 160 BPM | ||
| My Will Be Done | Unearth | G Major | 9 | 9B | 166 BPM | ||
| Faint Object Camera | Hopesfall | A♭ Major | 9 | 4B | 138 BPM | ||
| Faith or Forgiveness | The Ghost Inside | G Major | 10 | 9B | 186 BPM | ||
| Bastard Set Of Dreams | Dead To Fall | G Major | 8 | 9B | 80 BPM | ||
| Spitshine Sonata | The Bled | E♭ Major | 9 | 5B | 165 BPM | ||
| Blueprints For Future Homes | Norma Jean | E♭ Minor | 10 | 2A | 182 BPM | ||
| American Hollow | Martyr AD | F♯ Major | 9 | 2B | 91 BPM | ||
| The Alpha the Omega | The Tony Danza Tapdance Extravaganza | E♭ Major | 10 | 5B | 160 BPM |