Michael Ray's 'Get to You' had a release date set for June 1, 2018. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 11 in Amos by Michael Ray. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Get to You is currently average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Get to You by Michael Ray is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Best Shot | Jimmie Allen | E Major | 5 | 12B | 156 BPM | ||
| Left Side Of Leavin' | Brett Young | A Major | 8 | 11B | 91 BPM | ||
| Some Girls | Jameson Rodgers | A♭ Major | 8 | 4B | 168 BPM | ||
| Lonely Eyes | Chris Young | D♭ Major | 7 | 3B | 106 BPM | ||
| Why Can’t She | Adam Craig | A♭ Major | 8 | 4B | 80 BPM | ||
| Here Tonight | Brett Young | B Major | 8 | 1B | 96 BPM | ||
| Eyes On You | Chase Rice | A Major | 8 | 11B | 146 BPM | ||
| Lose It | Kane Brown | E Minor | 9 | 9A | 92 BPM | ||
| Legends | Kelsea Ballerini | E Major | 7 | 12B | 112 BPM | ||
| Doin' Fine | Lauren Alaina | A♭ Major | 8 | 4B | 166 BPM | ||
| Spirits and Demons (with Meghan Patrick) | Michael Ray, Meghan Patrick | C Major | 6 | 8B | 150 BPM | ||
| Prob'ly At A Bar | Jon Langston | F♯ Major | 7 | 2B | 138 BPM | ||
| Cool Girl | Logan Mize | E Major | 7 | 12B | 93 BPM | ||
| Wish You Were On It | Florida Georgia Line | B Major | 9 | 1B | 130 BPM | ||
| Change Your Name | Chase Bryant | D♭ Major | 5 | 3B | 76 BPM | ||
| Reckon | Adam Craig | C Major | 9 | 8B | 116 BPM | ||
| Urgency | Jason Michael Carroll | B Minor | 6 | 10A | 154 BPM | ||
| Sober Saturday Night (feat. Vince Gill) | Chris Young, Vince Gill | D♭ Major | 7 | 3B | 140 BPM | ||
| Home Alone Tonight | Luke Bryan, Karen Fairchild | A♭ Major | 10 | 4B | 162 BPM | ||
| Back To Us | Rascal Flatts | A♭ Major | 7 | 4B | 94 BPM | ||
| Ring On Every Finger | LOCASH | G Major | 9 | 9B | 100 BPM | ||
| Heartbeat | Carrie Underwood | D♭ Major | 8 | 3B | 140 BPM | ||
| Playing With Fire | Hunter Phelps | D Major | 8 | 10B | 111 BPM | ||
| Five More Minutes | Scotty McCreery | G Major | 6 | 9B | 156 BPM | ||
| Fight With | Carter Winter | G Major | 6 | 9B | 76 BPM |