There For Tomorrow's '7th Day' had a release date set for January 1, 2004. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Point Of Origin". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, 7th Day's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 7th Day by There For Tomorrow having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Welcome To The End | 12 Stones | B Minor | 10 | 10A | 176 BPM | ||
| Runaway | We Are The Empty | C Major | 8 | 8B | 150 BPM | ||
| Ten Years Down | Story Of The Year | F♯ Major | 10 | 2B | 177 BPM | ||
| House of Glass | ALESTI, James Deberg | E Minor | 10 | 9A | 140 BPM | ||
| Lonely Girl | Tonight Alive | G Minor | 9 | 6A | 170 BPM | ||
| One Breath Away | Phedora | B♭ Minor | 9 | 3A | 90 BPM | ||
| Life / Less | Mosaic | F Minor | 9 | 4A | 140 BPM | ||
| Soul Full Solace (Interlude) | There For Tomorrow | B♭ Minor | 7 | 3A | 128 BPM | ||
| Technicolor | Ghost Atlas | A Minor | 10 | 8A | 125 BPM | ||
| Lose My Life | Papercut Massacre | G Major | 10 | 9B | 115 BPM | ||
| Light to Shadows | Cinema Sleep | D♭ Minor | 10 | 12A | 175 BPM | ||
| We're All in Danger | Dangerkids | D♭ Major | 10 | 3B | 180 BPM | ||
| One For the Money | Escape the Fate | F Minor | 10 | 4A | 90 BPM | ||
| Here We Go | Live My Last | C Major | 9 | 8B | 156 BPM | ||
| Salvation | Falling With Glory | B Minor | 9 | 10A | 145 BPM | ||
| Ghosts Of The Attic | Her Bright Skies | B♭ Minor | 10 | 3A | 175 BPM | ||
| Sleep | Downplay | D Major | 8 | 10B | 125 BPM | ||
| Down With The Fallen | STARSET | B♭ Minor | 9 | 3A | 176 BPM | ||
| No Way Out | Ravenscode | A Minor | 8 | 8A | 66 BPM | ||
| Remedy (Acoustic Demo) | There For Tomorrow | E Major | 4 | 12B | 93 BPM | ||
| Ms. Crumby | The Audition | A♭ Major | 9 | 4B | 172 BPM | ||
| Down | Cult To Follow | F♯ Major | 10 | 2B | 110 BPM | ||
| Silver Lining | ALESTI, Rob Endling | F Minor | 10 | 4A | 106 BPM | ||
| Just Refrain | Orange Avenue | E♭ Minor | 9 | 2A | 158 BPM | ||
| Blinded by the Lights | Lightscape | C Minor | 9 | 5A | 126 BPM |