Marty Stuart's 'Drifting Apart' had a release date set for January 1, 2010. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Marty Stuart's "Ghost Train: The Studio B Sessions" album is number 3 out of 14. On top of that, United States appears to be the country where this track was created. In terms of popularity, Drifting Apart is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Drifting Apart by Marty Stuart to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Honky Tonkin' Fool | Doug Supernaw | E Major | 4 | 12B | 137 BPM | ||
| Misery Loves Company | Porter Wagoner | F Major | 4 | 7B | 189 BPM | ||
| Thank God For You | Sawyer Brown | F Major | 8 | 7B | 116 BPM | ||
| If It Don't Come Easy | Tanya Tucker | B♭ Major | 6 | 6B | 142 BPM | ||
| Memories to Burn | Gene Watson | B♭ Major | 6 | 6B | 152 BPM | ||
| Jessico | The Kentucky Headhunters | G Major | 9 | 9B | 165 BPM | ||
| On Second Thought | Eddie Rabbitt | A Major | 7 | 11B | 131 BPM | ||
| Sacred Ground | McBride & The Ride | G Major | 4 | 9B | 105 BPM | ||
| Looks Aren't Everything | Mark Collie | D Major | 3 | 10B | 113 BPM | ||
| Every Step Of The Way | McBride & The Ride | E Major | 5 | 12B | 121 BPM | ||
| Drinkin' Them Beers | Tompall & The Glaser Brothers | A Major | 4 | 11B | 75 BPM | ||
| I'm the Only Hell (Mama Ever Raised) | Johnny Paycheck | C Major | 5 | 8B | 108 BPM | ||
| Love On Arrival | Dan Seals | B Major | 8 | 1B | 98 BPM | ||
| Jones On The Jukebox | Becky Hobbs | D♭ Major | 4 | 3B | 146 BPM | ||
| Bop | Dan Seals | D♭ Major | 6 | 3B | 123 BPM | ||
| Backside Of Thirty | John Conlee | G Major | 4 | 9B | 93 BPM | ||
| Between You And Me | Marty Stuart | A Major | 5 | 11B | 110 BPM | ||
| Texas (When I Die) | Tanya Tucker | B♭ Major | 6 | 6B | 78 BPM | ||
| That's as Close as I'll Get to Loving You | Aaron Tippin | B♭ Major | 6 | 6B | 87 BPM | ||
| Rollin' Home | Pirates Of The Mississippi | A Major | 9 | 11B | 128 BPM | ||
| Make It A Double | Gary Stewart | E Major | 5 | 12B | 118 BPM | ||
| Long Tall Texan | Doug Supernaw | F♯ Minor | 7 | 11A | 98 BPM | ||
| Ghost Train Four-Oh-Ten | Marty Stuart | D♭ Major | 7 | 3B | 140 BPM | ||
| Tore Up from The Floor Up | Wade Hayes | A Major | 9 | 11B | 172 BPM | ||
| There Ain't Nothin' Wrong with the Radio | Aaron Tippin | E Major | 5 | 12B | 131 BPM |