"Dancing Day- Part Ii - Coventry Carol" by John Rutter, Toronto Children's Chorus had its release date on 1991. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 21 in Dancing Day by Toronto Children's Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Dancing Day- Part Ii - Coventry Carol is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dancing Day- Part Ii - Coventry Carol by John Rutter, Toronto Children's Chorus is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gloriana, Op. 53: Choral Dance No. 6, Final Dance of Homage | Benjamin Britten, John Rutter, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | ||
| Serenade: Allegretto | William Mathias, Royal Ballet Sinfonia, Andrew Penny | E Minor | 0 | 9A | 118 BPM | ||
| Fear no more the heat of the sun, Op.18, No.3 - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | C Minor | 0 | 5A | 84 BPM | ||
| Suite Of Cotswold Folk Dances (1978): Constant Billy | Philip Lane, Royal Ballet Sinfonia, Gavin Sutherland | D Major | 1 | 10B | 96 BPM | ||
| Rameau: Les Boréades, Act 4: Entrée de Polymnie | Jean-Philippe Rameau, Gyorgy Vashegyi, Orfeo Orchestra | D Major | 2 | 10B | 122 BPM | ||
| Suite No. 1, P. 109: III. Villanella: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | B Minor | 0 | 10A | 88 BPM | ||
| For the beauty of the earth | John Rutter, New London Children's Choir, Alexander Wells, Ronald Corp | B♭ Major | 2 | 6B | 82 BPM | ||
| Five Hebrew Love Songs: Temuna | Eric Whitacre, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta, Paweł Wajrak, Katarzyna Łukawska, Tomasz Sobaniec | A♭ Minor | 1 | 1A | 112 BPM | ||
| Nocturnes: Sure On This Shining Night | Voce | D♭ Major | 0 | 3B | 128 BPM | ||
| Quatre Motets sur des thèmes grégoriens pour choeur a cappella, Op.10: I. Ubi caritas | Maurice Duruflé, Mauruce Duruflé, Houston Chamber Choir, Robert Simpson | E♭ Major | 1 | 5B | 88 BPM | ||
| II. Andante | John Rutter, Mary Seers, Mary Hitch, Caroline Ashton, The Cambridge Singers, John Scott, Gary Kettel, Eric Allen, The Philip Jones Brass Ensemble | A♭ Major | 0 | 4B | 75 BPM | ||
| Considering Matthew Shepard, Passion: No. 29, Pilgrimage | Craig Hella Johnson, Lesléa Newman, Conspirare | A Major | 0 | 11B | 96 BPM | ||
| All-Night Vigil, Op. 37: VIII. Praise the Name of the Lord | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Joseph Warner | E Minor | 4 | 9A | 94 BPM | ||
| The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | ||
| Sing Praise to Our Creator | Basilica of the National Shrine of the Immaculate Conception Choir | F Major | 2 | 7B | 74 BPM | ||
| The Lord Bless You and Keep You | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | ||
| Kronstorfer Messe in D Minor, WAB 146: II. Sanctus | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| Ave Maria for 4 Voices | Tomás Luis de Victoria, The Cambridge Singers, John Rutter | D♭ Major | 3 | 3B | 138 BPM | ||
| Lully, Lullay | The Choir of All Saints' Episcopal Church | F Minor | 2 | 4A | 77 BPM | ||
| Five Hebrew Love Songs 1. Temuna | Eric Whitacre | G Major | 1 | 9B | 87 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| Jubilate Deo: I. Jubilate Deo... | Rivertree Singers Festival Chorus, Rivertree Singers, Warren Cook | D Major | 3 | 10B | 146 BPM | ||
| Maurice Duruflé: Ubi caritas | Maurice Duruflé, Schola Cantorum, Tone Bianca Sparre Dahl | E♭ Major | 0 | 5B | 87 BPM | ||
| Serenade in G Major: II. Air. Lento, ma non troppo (Original Version) | Ernest John Moeran, Ulster Orchestra, Joann Falletta | B♭ Major | 3 | 6B | 156 BPM | ||
| O Come, Divine Messiah | James Biery, St. Ignatius Loyola Children's Choir, Nancianne Parrella, Michael Sheetz, Mary Huff | A Major | 2 | 11B | 136 BPM |