Ariadne auf Naxos, Op. 60 / Opera: "Es gibt ein Reich" by Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann Song Details

Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann's ' "Ariadne auf Naxos, Op. 60 / Opera: "Es gibt ein Reich"" was released on its scheduled release date, January 1, 2008. This song is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Strauss, R.: Vier Letzte Lieder". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Ariadne auf Naxos, Op. 60 / Opera: "Es gibt ein Reich"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

With Ariadne auf Naxos, Op. 60 / Opera: "Es gibt ein Reich" by Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -19.568 dB
Acousticness: 98%
Danceability: 46%
Energy: 20%
Instrumentalness: 2%
Liveness: 30%
Loudness: 67%
Speechiness: 5%
Valence: 58%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Debussy: La plus que lente, L. 121	Claude Debussy, San Francisco Symphony, Michael Tilson Thomas	G Major	0	9B	133 BPM
Legends, Op. 59, B. 122: No. 6, Allegro con moto	Antonín Dvořák, Czech Philharmonic, Tomáš Netopil	D♭ Major	0	3B	78 BPM
The Planets, Op. 32: II. Venus, the Bringer of Peace	Gustav Holst, Daniel Harding, Bavarian Radio Symphony Orchestra	C Minor	2	5A	89 BPM
Symphonie Fantastique, Op.14, H 48: 5b. Songe d'une nuit du Sabbat - Dies irae	Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado	G Minor	1	6A	63 BPM
Nocturnes, CD 98: I. Nuages	Claude Debussy, Berliner Philharmoniker, Claudio Abbado	C Major	0	8B	83 BPM
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto	Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France	C Minor	4	5A	110 BPM
Toccata	Johann Sebastian Bach, Symphonica Orchestra, Leopold Stokowski	D Major	2	10B	130 BPM
Guillaume Tell: Overture	Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini	E Major	2	12B	81 BPM
Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia	Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz	F Minor	1	4A	143 BPM
Verklärte Nacht, Op. 4 (Version for String Orchestra): I. Grave	Arnold Schoenberg, Danish National Symphony Orchestra, Fabio Luisi	D Minor	2	7A	79 BPM
Symphony No. 2 in E Minor, Op. 27: II. Allegro molto	Sergei Rachmaninoff, Philadelphia Orchestra, Yannick Nézet-Séguin	D Minor	1	7A	70 BPM
Pelléas et Mélisande, Op. 80, Suite: IV. La mort de Mélisande	Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa	D Minor	0	7A	82 BPM
Concerto for Orchestra, Sz. 116: V. Finale. Pesante – Presto	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	A♭ Major	2	4B	127 BPM
Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso	Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna	B Minor	1	10A	100 BPM
Prelude: Allegro - Meno mosso - Alla breve (Allegro) - Adagio -	Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz	D Major	1	10B	74 BPM
Mahler: Blumine	Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas	C Major	1	8B	100 BPM
Salome, Op. 54 / Scene 2: Laßt den Propheten herauskommen	Richard Strauss, Cheryl Studer, Clemens Bieber, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli	C Minor	0	5A	64 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato	Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra	A♭ Major	1	4B	109 BPM
String Quartet No. 12 in F major, Op. 96 - "American" B.179: 2. Lento	Antonín Dvořák, Hagen Quartett	D Minor	1	7A	88 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	E♭ Major	0	5B	81 BPM
Piano Concerto No. 23 in A Major, K. 488: I. Allegro (Cadenza by Busoni)	Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini	A Major	1	11B	140 BPM
Orchestervorspiel	Berliner Philharmoniker, Chor der Deutschen Oper Berlin	A Major	2	11B	119 BPM
Symphony No. 9 in E-Flat Major, Op. 70: II. Moderato	Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko	B♭ Minor	2	3A	122 BPM
4 Letzte Lieder, TrV 296: No. 2, September	Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann	F♯ Major	1	2B	81 BPM
Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous)	Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly	B♭ Major	1	6B	172 BPM