On December 31, 1956, the song "Kanatha Inbamellam" was released by Sirkazhi Govindarajan, T. V. Rathinam, Karunanidhi. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Kanatha Inbamellam's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Raja Rani (Original Motion Picture Soundtrack)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. Kanatha Inbamellam is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Kanatha Inbamellam by Sirkazhi Govindarajan, T. V. Rathinam, Karunanidhi having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mogga Moggalli | Rajkumar, Puttur Narasimha Nayak, Ramesh Chandra, K.S. Surekha, Sri Raksha | B Minor | 5 | 10A | 81 BPM | ||
| Omkara Panjara Sukeem | P. B. Sreenivas, Madhavapeddi Sathyam | D♭ Minor | 4 | 12A | 107 BPM | ||
| Chinna Chinna Muruga | Sivaangi Krishnakumar, Rakshita, ANU, Haripriya | D Major | 4 | 10B | 88 BPM | ||
| Om Enum Pranava | Sirkazhi Govindarajan | A♭ Major | 8 | 4B | 100 BPM | ||
| Thanikamalai - Sankaithan | A. R. Ramani Ammal | B Major | 3 | 1B | 189 BPM | ||
| Erau Mayil Eri (Vaazhthu) | Sudha Ragunathan | A♭ Major | 7 | 4B | 175 BPM | ||
| Pattum Naane | T. L. Maharajan | G Major | 4 | 9B | 167 BPM | ||
| Aadugindraanadi | Soolamangalam Sisters | G Major | 3 | 9B | 101 BPM | ||
| Vella Kuthurai | Om Sri Anggara Kaliamman Urumee Melam Group | A Major | 10 | 11B | 182 BPM | ||
| Udduku Nalla | Paravai Muniyamma | C Major | 4 | 8B | 79 BPM | ||
| Iruvinai Anja | Venkatesan Thirunaukkarasu | F♯ Major | 7 | 2B | 146 BPM | ||
| Idumban Kadamban | SAKTHI SHANMUGARAJA | G Major | 8 | 9B | 94 BPM | ||
| Bhagyam Tharum | Mahanadi Shobana | G Major | 6 | 9B | 168 BPM | ||
| Thanga Thamarai | Soolamangalam Sisters | F Major | 4 | 7B | 83 BPM | ||
| Nee Allaal Deivamillai | Sirkazhi Govindarajan | D Major | 7 | 10B | 180 BPM | ||
| Loka Veeram Maha Poojyam | Veeramani Raju | D Major | 3 | 10B | 103 BPM | ||
| Palanniappa Gnana Palam Nee | K. B. Sundarambal, Kannadasan | E♭ Major | 9 | 5B | 91 BPM | ||
| Chinna Chinna Malaigalil | Srihari | F Minor | 7 | 4A | 126 BPM | ||
| Aanaimugathone | Aravind | F♯ Minor | 3 | 11A | 150 BPM | ||
| Palani | Krishh, Shivhiya | D Major | 4 | 10B | 120 BPM | ||
| Pazhani Malai | T. S. Ranganathan | F Minor | 6 | 4A | 180 BPM | ||
| Andariye Sundariye (From "Navarasamaalai") | Sriraman, Mukesh, Vyjayanthi | D Minor | 7 | 7A | 105 BPM | ||
| Annamalai | Aravind | A Major | 5 | 11B | 164 BPM | ||
| Kannapuram Selven | Sirkazhi Govindarajan | G Minor | 6 | 6A | 97 BPM | ||
| Vinai Neekkum Perumaanae - Language: Tamil; Genre: Ganesha | T. L. Maharajan | D Major | 6 | 10B | 92 BPM |