Suhasini's ' "Navara Sambhalan Mushkil" was released on its scheduled release date, January 1, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Super Hit Dhamaka". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Based on our statistics, Navara Sambhalan Mushkil's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Navara Sambhalan Mushkil by Suhasini having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jate Patichya Ghara | Suhasini | F Major | 5 | 7B | 162 BPM | ||
| Sutala Mazha Padar Bai Mi Nhavte Bhanat - Yallama | Vijay Sartape | B♭ Minor | 8 | 3A | 125 BPM | ||
| Dhaka Dhaka Kare Lago | Mudavath Srinivas, Vandana Palamuru | E Minor | 7 | 9A | 88 BPM | ||
| Raja Tejukayacha Maan Pahila | Sanjay Sawant | G Minor | 9 | 6A | 113 BPM | ||
| Gala Gala Gala Hansech | Suhasini, Ravind | A♭ Major | 9 | 4B | 148 BPM | ||
| Sabarimalai Ayyappanu | Ramu, Suhasini | G Major | 8 | 9B | 96 BPM | ||
| Paha Manjula Majhya Bhimrayacha Mala | Vitthal Umap | B Minor | 6 | 10A | 83 BPM | ||
| Aag Danane Bag Danane | Shakuntala Jadhav | G Major | 6 | 9B | 78 BPM | ||
| Chiknya Chiknya Kon Go Ya | Santosh Nayak | D♭ Minor | 8 | 12A | 89 BPM | ||
| Aga Pori Sambhal | Mohammed Rafi, Pushpa Pagdhare | A♭ Major | 7 | 4B | 91 BPM | ||
| Chal Begin Chal(Hori Aaliya) | Shahir Pandurang Vanmali | F Major | 5 | 7B | 78 BPM | ||
| San Shimgyacha Ala Ho | Ramesh Nakhwa, Pushpa Pagdhare | D♭ Major | 6 | 3B | 100 BPM | ||
| Lay Athavan Yete Daji | Akash Shinde, Priya Gaikwad | D♭ Minor | 9 | 12A | 140 BPM | ||
| Sasarla Hi Bahin Nighali | Suresh Wadkar | F♯ Major | 7 | 2B | 101 BPM | ||
| Tuzya Premacha Ek bahana Ga | Chandrashekhar Gadgil | E Minor | 7 | 9A | 107 BPM | ||
| Paisa Wali Tai, Pt. 2 | Pramod More, Babu More | C Major | 9 | 8B | 130 BPM | ||
| Balava Balava Bhaubandle Va Maay 20 | Bhaiya mali | D♭ Major | 8 | 3B | 90 BPM | ||
| Sai Bhajan - Sai Leela Ghadlaya Shirdit | Mangesh Shirke | A♭ Major | 8 | 4B | 85 BPM | ||
| Nachtan Por Aagri Kolyanchi | Mukesh Upadhye, Shakambhari Kirtikar | A♭ Major | 9 | 4B | 80 BPM | ||
| Mi Re Tujhya Sangati Ne (From "Gammat Jammat") | Anuradha Paudwal | C Minor | 7 | 5A | 176 BPM | ||
| Gan Bai Mogara Ganachi Saree | Sanchita Morajkar | G Major | 10 | 9B | 120 BPM | ||
| Bhim Vicharanche Moti | Adarsh Shinde | C Major | 9 | 8B | 180 BPM | ||
| Aye Tujha | Madhukar Pathak | F Major | 4 | 7B | 79 BPM | ||
| Kay Bai Sangu Ambach Natan ( Ambabai Gani) | Chhagan Chougule | E Major | 7 | 12B | 154 BPM | ||
| Ghalun Ghe Gn Avdha | Milind Shinde | C Minor | 8 | 5A | 141 BPM |