"A Private Conversation, Betrayed" by Daniel Pemberton had its release date on September 16, 2022. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. A Private Conversation, Betrayed's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "See How They Run (Original Motion Picture Soundtrack)". In this album, this song's track order is #26. Furthermore, we believe that the track originated from United States. Based on our statistics, A Private Conversation, Betrayed's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Private Conversation, Betrayed by Daniel Pemberton having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fog Bound | Klaus Badelt | E Minor | 1 | 9A | 86 BPM | ||
| The Adam Project | Rob Simonsen | B♭ Major | 1 | 6B | 72 BPM | ||
| Constellation | Hesham Nazih | E Minor | 0 | 9A | 65 BPM | ||
| Bad Batch Theme - From "Star Wars: The Clone Wars - The Final Season" | Kevin Kiner | D♭ Major | 2 | 3B | 100 BPM | ||
| Twilight of the Gods | Mark Mothersbaugh | F♯ Major | 1 | 2B | 143 BPM | ||
| Harlan's Plan | Nathan Johnson | D Major | 2 | 10B | 85 BPM | ||
| Cobel At Lumon | Theodore Shapiro | D♭ Major | 3 | 3B | 136 BPM | ||
| I Could Use a Boost | Kris Bowers | G Major | 4 | 9B | 113 BPM | ||
| The Rise of the Beast | West Dylan Thordson | D Major | 2 | 10B | 81 BPM | ||
| Call Me Joker | Hildur Guðnadóttir | D Major | 3 | 10B | 121 BPM | ||
| See You...In Hell | Christopher Drake | D Minor | 3 | 7A | 115 BPM | ||
| The Scholar's Mate | Carlos Rafael Rivera | C Major | 3 | 8B | 136 BPM | ||
| I'm Scared Too | Steven Price | C Minor | 2 | 5A | 90 BPM | ||
| Rifleman Cooper | Stephen Barton | A Minor | 6 | 8A | 118 BPM | ||
| El Matador Del Mar | Geoff Zanelli | C Minor | 4 | 5A | 88 BPM | ||
| The A400 | Joe Kraemer | G Major | 2 | 9B | 127 BPM | ||
| A Hunter Gathers | Junkie XL | F Minor | 2 | 4A | 64 BPM | ||
| The Last of Us (Vengeance) | Gustavo Santaolalla | F♯ Minor | 0 | 11A | 86 BPM | ||
| Modern Warfare II | Sarah Schachner | F Major | 5 | 7B | 155 BPM | ||
| Introducing Flint | Mark Mothersbaugh | E Minor | 2 | 9A | 92 BPM | ||
| Xu Shang-Chi | Joel P West | A Minor | 7 | 8A | 87 BPM | ||
| Life Blood | Pinar Toprak, Tyler Durham | C Minor | 1 | 5A | 70 BPM | ||
| Brother and Sister | Joel P West | D♭ Major | 6 | 3B | 92 BPM | ||
| Secret Invasion Main Theme (EPIC VERSION) | Ayhan Music | B♭ Minor | 3 | 3A | 105 BPM | ||
| Ecstasy of Gold | Ennio Morricone, Gustavo Santaolalla | A Minor | 7 | 8A | 96 BPM |