Lata Mangeshkar's ' "Mendichya Panavar" was released on its scheduled release date, December 1, 1956. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Sumadhur Geete". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. Mendichya Panavar is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Mendichya Panavar by Lata Mangeshkar having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chal Uth Re Mukunda | Suman Kalyanpur | D Major | 10 | 10B | 138 BPM | ||
| Avachita Parimalu | Lata Mangeshkar | C Minor | 2 | 5A | 128 BPM | ||
| Chanchal Mon Anmona Hoy | Hemant Kumar, Lata Mangeshkar | F♯ Major | 1 | 2B | 124 BPM | ||
| Vallav Re Nakhwa | Arpita Chakraborty | B♭ Major | 4 | 6B | 114 BPM | ||
| Navika Re Vara Vahe Re | Suman Kalyanpur | B♭ Major | 3 | 6B | 136 BPM | ||
| Kaal Rateela Sapan Padlan | Jaywant Kulkarni, Usha Mangeshkar | G Major | 9 | 9B | 125 BPM | ||
| Ganapati Raya Padto Mi Paya | Vinay Mandke, Anupama, Arun Pange | G Major | 7 | 9B | 78 BPM | ||
| Vadivarlya Vata | Ravindra, Chandrakant Kale | D Minor | 8 | 7A | 184 BPM | ||
| Gandh Phulanchaq Gela | Anil-Arun | F Minor | 3 | 4A | 136 BPM | ||
| Shree Satyanarayanchi Katha | Prahlad Shinde | D♭ Minor | 5 | 12A | 158 BPM | ||
| Taal Bole Chipalila | Mahesh Hiremath, Shubhangi Joshi | A♭ Major | 6 | 4B | 188 BPM | ||
| Nabh Utaru Aala | Asha Bhosle | F♯ Major | 4 | 2B | 115 BPM | ||
| O Mere Majhi Mere Sajan Hai | S. D. Burman | B Major | 3 | 1B | 134 BPM | ||
| Are Man Mohana | Mahesh Hiremath, Shubhangi Joshi | B Minor | 7 | 10A | 112 BPM | ||
| Dislis Too Phulale Rutu | Sudhir Phadke | G Minor | 3 | 6A | 123 BPM | ||
| Apni Kaho Kuchh Dil Ka Lagana Bhool Gaye (From "Parchhain") | Talat Mahmood, Lata Mangeshkar, C. Ramchandra | F Minor | 2 | 4A | 81 BPM | ||
| Tav Naynanche Dal | Salil Kulkarni | B♭ Major | 4 | 6B | 172 BPM | ||
| Aata Tari Deva Mala Pavshil Ka | Prahlad Shinde | A Major | 8 | 11B | 97 BPM | ||
| Ugvali Sukhrachi | Aarati Ankalikar | B♭ Minor | 6 | 3A | 110 BPM | ||
| Jhooti Mooti Mitwa Aawan Bole | Bhupen Hazarika, Lata Mangeshkar | D♭ Major | 8 | 3B | 105 BPM | ||
| Shabdavachun Kalale Sare | Mahesh Kale | D Minor | 2 | 7A | 147 BPM | ||
| Lakh Lakh Chanderi | Master Krishnarao Phulambrikar | E Minor | 6 | 9A | 81 BPM | ||
| Bhej Kahaar | Vishal Bhardwaj, Lata Mangeshkar | B Minor | 3 | 10A | 102 BPM | ||
| Jethe Jato Tethe Tu Maza Sangati | Lata Mangeshkar | E Major | 4 | 12B | 87 BPM | ||
| He Rashtra Devtanche | Rani Varma | F Major | 5 | 7B | 116 BPM |