"Concerto Grosso No. 1 In D Major, Op. 6: V. Largo" by Arcangelo Corelli, Genadi Cherkasov, Chamber Orchestra of the Moscow Conservatory had its release date on January 1, 2009. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 64 in Corelli: Concerti Grossi by Arcangelo Corelli, Chamber Orchestra of the Moscow Conservatory, Genadi Cherkasov. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Concerto Grosso No. 1 In D Major, Op. 6: V. Largo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto Grosso No. 1 In D Major, Op. 6: V. Largo by Arcangelo Corelli, Genadi Cherkasov, Chamber Orchestra of the Moscow Conservatory is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
| Concerto grosso No. 7 in D Major, Op. 6: I. Vivace - Allegro - Adagio | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 145 BPM | ||
| Concerto For Oboe And Orchestra In G Major: 3. Allegro | Carl Ditters von Dittersdorf, Heinz Holliger, Camerata Bern, Thomas Füri | G Major | 2 | 9B | 133 BPM | ||
| Concerto for Harpsichord and Strings in C Minor: I. Allegro assai | Baldassare Galuppi, Arianna Radaelli, La Filarete | B Minor | 4 | 10A | 146 BPM | ||
| Symphony in C Minor, J-C 9: III. Allegro | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
| Concerto grosso No. 3 in D Minor: I. Largo andante (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 95 BPM | ||
| Overture No. 3 in B-Flat Major: III. Allegro | Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini | B♭ Major | 4 | 6B | 122 BPM | ||
| Scarlatti, A: Or che di Febo: I. Sinfonia. Largo - Adagio | Alessandro Scarlatti, The Chandos Baroque Players | D♭ Major | 0 | 3B | 74 BPM | ||
| Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: III. Grave | Georg Philipp Telemann, Nikolaus Harnoncourt, Frans Brüggen, Otto Fleischmann, Concentus Musicus Wien | D Major | 0 | 10B | 127 BPM | ||
| Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
| Burlesque de Quixotte: III. Son Attaque des moulins à vent | Georg Philipp Telemann, Simon Standage, Collegium Musicum 90 | D♭ Major | 4 | 3B | 134 BPM | ||
| Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 168 BPM | ||
| Cello Concerto in D Major, G. 479: III. Allegro | Luigi Boccherini, Tim Hugh, Scottish Chamber Orchestra, Anthony Halstead | E Minor | 1 | 9A | 96 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": III. Adagio | Johann Gottlieb Janitsch, Il Gardellino | E Major | 1 | 12B | 60 BPM | ||
| Concerto in F Major, S. 234: I. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 133 BPM | ||
| Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
| Flute Sonata in E Minor, Op. 5, No. 8: II. Allemanda. Allegro | Arcangelo Corelli, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | D Minor | 2 | 7A | 128 BPM | ||
| Abdelazer, Z.570: Air - Jig - Hornpipe - Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 172 BPM | ||
| Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
| Flute Concerto in D Minor, QV 5:81: II. Arioso | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 77 BPM | ||
| Overture For Viola D'amore & Orchestra in D Minor, GWV 426: II. Rondeau | Christoph Graupner, Les idées heureuses, Hélène Plouffe, Geneviève Soly | D♭ Minor | 1 | 12A | 121 BPM | ||
| King Arthur, Z. 628: Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | E Minor | 0 | 9A | 92 BPM | ||
| Mozart: Divertimento in F Major, K. 138 "Salzburg Symphony No. 3": III. Presto | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | E Major | 1 | 12B | 135 BPM | ||
| Concerto grosso No. 10 in F Major: I. Preludio | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | G Major | 0 | 9B | 95 BPM |