"Oliver's Special Effects" by Vernon Elliott had its release date on 2001. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 22 in the song's album "The Clangers". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Oliver's Special Effects's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Oliver's Special Effects by Vernon Elliott having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Highway Rat | René Aubry | G Minor | 2 | 6A | 135 BPM | ||
| Multi-Music Canada for Orchestra: V. Canada Today - Live | Maya Badian, Gheorghe Mustea, National Symphony Orchestra of Teleradio-Moldova | D♭ Major | 2 | 3B | 90 BPM | ||
| Morale ipocrita borghese | Ennio Morricone | C Major | 2 | 8B | 92 BPM | ||
| Future Frequency | ABEX | G Minor | 2 | 6A | 135 BPM | ||
| Skaters Waltz | Paul Eakins | A Minor | 2 | 8A | 110 BPM | ||
| Pink | Mercy Hodd | B♭ Major | 1 | 6B | 52 BPM | ||
| The Easy Winners | New England Conservatory Ragtime Ensemble | A Major | 4 | 11B | 189 BPM | ||
| Black Beauty (Galloping Home) | London Symphony Orchestra, Stanley Black | D Minor | 3 | 7A | 136 BPM | ||
| The Return of the Pink Panther - Pt. 1 and Pt. 2 | Henry Mancini | C Major | 2 | 8B | 96 BPM | ||
| The Line Where Day Begins | Joseph R Dolan, Ghibli | A Major | 1 | 11B | 140 BPM | ||
| Brideshead Revisited Theme | Geoffrey Burgon | F Major | 1 | 7B | 147 BPM | ||
| Fantasy nr 3 Luys Milan | Martien van der Knijff | F♯ Major | 1 | 2B | 201 BPM | ||
| The King Of Thailand, The Queen Of Stairs | John Lurie | B Minor | 1 | 10A | 83 BPM | ||
| From "The Music Of The Spheres" | Vernon Elliott | A♭ Minor | 2 | 1A | 79 BPM | ||
| Botella laca | El buenilla | A♭ Major | 10 | 4B | 172 BPM | ||
| Symphony No. 1 in E Minor: III. Juba Dance | Florence Beatrice Price, Fort Smith Symphony, John Jeter | F Major | 2 | 7B | 111 BPM | ||
| Rythm of a Fairytale Town | Soundscapes of Serenity | C Major | 1 | 8B | 144 BPM | ||
| Under Milk Wood: To begin at the beginning | Richard Burton | F♯ Major | 2 | 2B | 123 BPM | ||
| Suite - From "Brazil" | David Newman, Varèse Sarabande Symphony Orchestra, Dan Higgins | E Minor | 2 | 9A | 73 BPM | ||
| Unbound | Phasar | D Minor | 4 | 7A | 155 BPM | ||
| Veni, Sancte Spiritus | Martien van der Knijff | D♭ Major | 1 | 3B | 140 BPM | ||
| Penguin play | Nigel Westlake, Timothy Kain | D Major | 1 | 10B | 90 BPM | ||
| Third Etude | Michael Rosas Cobian, Gabriela Ortiz | D Major | 0 | 10B | 119 BPM | ||
| Whispers in the Leaves | Conard Sandpiper | A Minor | 1 | 8A | 86 BPM | ||
| Spray | Prekasose | A Minor | 4 | 8A | 170 BPM |