Jean-Baptiste Forqueray, Justin Taylor's ' "Cinquième suite en Do Mineur: IV. La Boisson" was released on its scheduled release date, September 2, 2016. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Justin Taylor's "La famille Forqueray: Portrait(s)" album is number 16 out of 19. On top of that, France appears to be the country where this track was created. In terms of popularity, Cinquième suite en Do Mineur: IV. La Boisson is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Cinquième suite en Do Mineur: IV. La Boisson by Jean-Baptiste Forqueray, Justin Taylor to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ancor che col partire | Antonio de Cabezón, Yoann Moulin | A Minor | 1 | 8A | 135 BPM | ||
| Trio Sonatas, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | C Major | 1 | 8B | 97 BPM | ||
| First Suite In A Minor (Premiere Suite, En La Mineur): Introduction (L'Entrevue) | Alexandre De Villeneuve | E♭ Major | 2 | 5B | 69 BPM | ||
| IIIe. Suite, VII *La Morangis ou La Plissay. Mouvement de Chaconne | Jean-Baptiste Forqueray, Ketil Haugsand | C Major | 3 | 8B | 108 BPM | ||
| Viola da Gamba Suite in D Major: VII. Tempo di minuetto | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 111 BPM | ||
| Violin Sonata No. 2 in D Minor, C. 139: III. Variatio | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | A♭ Major | 1 | 4B | 78 BPM | ||
| Dowland: Lachrimae, or Seven Tears: No. 10, Semper Dowland, semper dolens, P. 9 | John Dowland, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 130 BPM | ||
| The Gordion Knot Unty'd, Z. 597: Second Act Tune: Rondo Minuet | Henry Purcell, Aradia Ensemble, Kevin Mallon | C Minor | 5 | 5A | 153 BPM | ||
| Pièces de viole, Book 3, Suite No. 4 in D Major: No. 54, Rondeau | Marin Marais, Alberto Rasi | D♭ Major | 1 | 3B | 81 BPM | ||
| 5e livre de viole: Chaconne | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Luca Guglielmi | D Major | 0 | 10B | 98 BPM | ||
| Pièces à trois violes de Monsieur Forcroy: I. (Allemande) | Jean-Baptiste Forqueray, Vittorio Ghielmi, Rodney Prada, Luca Pianca, Lorenzo Ghielmi | D Minor | 2 | 7A | 109 BPM | ||
| Canzona prima a 4, canto alto tenor basso "sopra rugier" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Major | 2 | 9B | 135 BPM | ||
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VIII. Sarabande | Dietrich Becker, La Rêveuse, Benjamin Perrot, Florence Bolton, Sébastien Wonner | D♭ Major | 0 | 3B | 108 BPM | ||
| La Bellmont (avec Goût et sans lenteur) | Antoine Forqueray, Jean-Baptiste Forqueray, Justyna Woś | D♭ Major | 4 | 3B | 103 BPM | ||
| Couperin, F: Second Livre de pièces de clavecin, Septième Ordre: I. La Ménetou. Rondeau, gracieusement, sans lenteur | François Couperin, Jean Rondeau | D♭ Major | 1 | 3B | 114 BPM | ||
| Première suite à 3 violes in D Major: No. 4, Sarabande | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 4 | 11A | 88 BPM | ||
| Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | ||
| Cello Sonata in C major, Op.5, No.3: 3. Affettuoso | Francesco Geminiani, Heinrich Schiff, Ton Koopman, Jaap Ter Linden | C Minor | 0 | 5A | 173 BPM | ||
| Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 100. Gigue a l'angloise. Très vivement | Marin Marais, Mieneke van der Velden, Glen Wilson | F♯ Major | 2 | 2B | 117 BPM | ||
| The Lessons for Solo Lyra Viol (1609): Almaine (no.1) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | G Major | 0 | 9B | 94 BPM | ||
| VI. Presto | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | B♭ Minor | 1 | 3A | 76 BPM | ||
| Sonata a 4 in F minor, Op.1: No.4, "Imitatio in Salve Regina mater misericordiæ": in C Minor: II. Adagio | Angelo Ragazzi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
| Troisième livre de pièces de clavecin, Ordre XVII: La superbe ou la Forqueray | Jean-Baptiste Forqueray, Justin Taylor | D♭ Major | 4 | 3B | 95 BPM | ||
| Movements composed for Suite No.3 in D by Antoine Forqueray: La Du Vaucel | Jean-Baptiste Forqueray, Maddalena Del Gobbo, Michele Carreca, Ewald Donhoffer, Christoph Prendl | D♭ Minor | 5 | 12A | 78 BPM | ||
| Amphitryon, Z. 572, "The 2 Sosias": IV. Scotch Tune | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 107 BPM |