Rakesh Raval's ' "Madta Hata Have Madatu Nathi" was released on its scheduled release date, August 13, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Madta Hata Have Madatu Nathi and no other songs are present in the album, we classify this track as a single. On top of that, France appears to be the country where this track was created. Based on our statistics, Madta Hata Have Madatu Nathi's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Madta Hata Have Madatu Nathi by Rakesh Raval to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dhohe Chori Mathe Padi | Vk Bhuriya, Rahul Bhuriya, Rasul Rathwa, Toral Rathwa | F♯ Major | 9 | 2B | 116 BPM | ||
| Kalyug Mein Satyug Laye Hai | Manoj Baghel | A♭ Major | 10 | 4B | 143 BPM | ||
| Rakesh-Kishan Expres Part 6 | Rakesh Raval, Kishan Rathva | A Major | 9 | 11B | 133 BPM | ||
| Tu Bhi Radha Ki Diwani Me Bhi Bhole ko Bhagat | Satto Gurjar, SR Gurjar Seupura | A♭ Major | 10 | 4B | 143 BPM | ||
| Hatu Ae Hari Gayo - Original | Jignesh Barot | A Minor | 9 | 8A | 100 BPM | ||
| Patang Ki Dhil De Dena | Arjun R. Meda | A♭ Major | 10 | 4B | 143 BPM | ||
| Chidiya Ban Jaugi Gurjar Ke | Bhupendra Khatana | A♭ Major | 10 | 4B | 143 BPM | ||
| Oye Sun Le Tu Bete | Parul Rathva | F♯ Minor | 8 | 11A | 132 BPM | ||
| Ajab Prem Ni Gajab Kahani | Mahesh Vanzara, Hansha Bharwad | D♭ Major | 9 | 3B | 95 BPM | ||
| Hi-Fi Chapari | Golu Bandodiya, Vikash Bandodiya, Nilesh Dancer | F Minor | 8 | 4A | 115 BPM | ||
| 12 Pass | Gopal Bharwad, Rinku Bharwad | D Major | 9 | 10B | 135 BPM | ||
| Tane Dur Thi Salam | Rakesh Raval | D♭ Major | 9 | 3B | 115 BPM | ||
| Kese Soye Rahi Hai Palang Pe Naar DJ Remix | Bhupendra Khatana | B♭ Minor | 10 | 3A | 120 BPM | ||
| नारायण ऊँचो थारो देवरो दुरा सू दिख रे | Samay Singh Peelwal, Pawan Chechi | A Major | 9 | 11B | 116 BPM | ||
| Char Biga Na Khetar | VK Bhuriya, Chandani Parmar | B♭ Minor | 9 | 3A | 130 BPM | ||
| Oh Re Darling - Original | Vikram Chauhan | F Minor | 8 | 4A | 120 BPM | ||
| Gomti Na Ghate Mara Thakar Ni Sarkar Chhe | Kaushik Bharwad | A Major | 10 | 11B | 121 BPM | ||
| Amne Chhodi Parka Na Bani Gaya Pari | Jasvant Patel Bhutiya, DJ Dharmesh Savli, Dj Piyush Savli | D Minor | 8 | 7A | 127 BPM | ||
| VSR Na Badshah Part-3 | Rakesh Raval | F Minor | 9 | 4A | 132 BPM | ||
| Dudhe Te Bhari Talavadi | Khushi Variya, Rakesh Raval | E Minor | 9 | 9A | 134 BPM | ||
| Hath Ma Datedu-Dil Na Dukh Bhulva Pade | Narvat Rathva | F Minor | 10 | 4A | 137 BPM | ||
| Mawas Ko Banja Chand | DG Mawai, Bhupendra Khatana | E Major | 10 | 12B | 117 BPM | ||
| Narmada Cancel 2 Part 8 | Arjun R. Meda, Vilash Parmar | A♭ Major | 9 | 4B | 118 BPM | ||
| Jalto Jalto Jay | Khushi Variya, Rakesh Raval | C Major | 9 | 8B | 128 BPM | ||
| Balam Lungda Lade Kalo | Ramdhan Gurjar, Neetu Tomar | D♭ Minor | 10 | 12A | 160 BPM |