Ramkumar Chatterjee's ' "O Se Hok Na Kalo" was released on its scheduled release date, January 1, 1972. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 10 in Ami Moner Mato by Ramkumar Chatterjee. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, O Se Hok Na Kalo's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of O Se Hok Na Kalo by Ramkumar Chatterjee is Allegro (fast, quick, and bright), since this song has a tempo of 149 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shunya E Buke Pakhi Mor | Akhil Bandhu Ghosh | E♭ Minor | 1 | 2A | 146 BPM | ||
| Maa Amar Rajar Meye | Dhananjay Bhattacharya | C Major | 3 | 8B | 113 BPM | ||
| Dhyan Karun Bajrangbali | Hari Om Sharan | B♭ Major | 5 | 6B | 138 BPM | ||
| Ektarate Bendhe Dile | Ramkumar Chatterjee | D♭ Major | 1 | 3B | 82 BPM | ||
| Banirupe Rahiyacho Murati Dhari | Mahesh Ranjan Shome | F♯ Major | 5 | 2B | 88 BPM | ||
| Ram Krishna Naam | Swapna Chakraborty | F Minor | 3 | 4A | 137 BPM | ||
| Amar Hridoye | Prasun Mukherjee | E Minor | 4 | 9A | 151 BPM | ||
| God Is Formless and Is Everywhere | Veer Manpreet Singh | C Minor | 5 | 5A | 91 BPM | ||
| Preet Laga Ke Daga Ne Kariyo | Raju Patel, Dhaniram Sen | G Major | 5 | 9B | 129 BPM | ||
| Kishorir Ki Shorir Holo | Ramkumar Chatterjee | E Major | 3 | 12B | 105 BPM | ||
| Aamar Jante Eiche Kore | Amrik Singh Arora | B Minor | 5 | 10A | 113 BPM | ||
| Maa Je Amar Bhubon Mohini | Amrik Singh Arora | F Major | 4 | 7B | 80 BPM | ||
| Jenechhi Jenechhi Tara | Pannalal Bhattacharya | E Major | 3 | 12B | 151 BPM | ||
| Roopong Dehi Joyong Dehi Jasho Dehi | Srikumar Chatterjee, Dwijen Mukherjee, Haimanti Sukla, Ramkumar Chatterjee, Mita Kundu, Sukla Roychowdhuri | F Major | 3 | 7B | 180 BPM | ||
| Khelicho E Bishwa Loye | Ramanuj Dasgupta | B♭ Major | 4 | 6B | 116 BPM | ||
| Junoon-e-Shauq Ab Bhi Kam Nahin Hai (Majaz) | Ananyaa Gaurfarmayish | A Major | 2 | 11B | 87 BPM | ||
| Haal Dukh Dega To | Chandan Dass | B Major | 5 | 1B | 146 BPM | ||
| Maa Bhervi Bhavtarini | Dev Ranjan Giri | B♭ Minor | 3 | 3A | 124 BPM | ||
| Tomar Samadhi Phule Phule Dhaka - Antaral | Salil Mitra | F Major | 2 | 7B | 121 BPM | ||
| Parshva Jinanda Vama | Dilip Bafana | A♭ Major | 7 | 4B | 165 BPM | ||
| Shoto Name Koto Jone Dake Je Tomay | Indranil Dutta | C Major | 7 | 8B | 120 BPM | ||
| Amar Jwaleni Alo Andhakare | Debabrata Biswas | D♭ Minor | 4 | 12A | 88 BPM | ||
| De Maa Amay Tabildari - Original | Ramkumar Chattopadhyay, NA | F♯ Major | 4 | 2B | 140 BPM | ||
| Amar Kalo Meyer Payer Talay | Pannalal Bhattacharya | E♭ Minor | 3 | 2A | 85 BPM | ||
| Yun Zindagi Ki | Umbayee | A Major | 3 | 11B | 95 BPM |