Cyril Rootham, James Dutton, Oliver Davies's 'Suite in 3 Movements, Op. 64: III. Jig' had a release date set for June 22, 2018. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in James Dutton, Oliver Davies's "Idyll" album is number 4 out of 21. In terms of popularity, Suite in 3 Movements, Op. 64: III. Jig is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Suite in 3 Movements, Op. 64: III. Jig by Cyril Rootham, James Dutton, Oliver Davies to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sigurd Jorsalfar, Op. 56 - Three Orchestra Pieces: 1. Prelude (In the King's Hall) | Edvard Grieg, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra | E Minor | 0 | 9A | 100 BPM | ||
| Falla: El sombrero de tres picos, Pt. 2: Danza del molinero | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray | B Major | 0 | 1B | 130 BPM | ||
| Serenade for Strings in E-Flat Major, Op. 6: I. Andante con moto | Josef Suk, English String Orchestra, William Boughton | B♭ Major | 2 | 6B | 92 BPM | ||
| Gloria, FP 177: VI. Qui sedes ad dexteram Patris | Francis Poulenc, Britten Sinfonia, Polyphony, The Choir Of Trinity College, Cambridge, Susan Gritton, Stephen Layton | G Major | 2 | 9B | 81 BPM | ||
| Clarinet Concerto: II. Scherzando | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | D Minor | 3 | 7A | 99 BPM | ||
| Tríptico | Gabriel Andrés Gallegos | G Major | 2 | 9B | 140 BPM | ||
| Symphony No. 3 in C Major, Op. 21: III. Allegretto Moderato | Hakon Borresen, Aalborg Symphony Orchestra, Owain Arwel Hughes | A♭ Major | 0 | 4B | 75 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM | ||
| Symphony No. 1 in E Major, Op. 26: I. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Roumanian Folk Dances for Orchestra, BB 76 (Sz. 68): 4. Horn Dance (from Bisztra) | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 1 | 10B | 170 BPM | ||
| Sibelius: King Christian II Suite, Op. 27: IV. Serenade | Jean Sibelius, Scottish National Orchestra/Sir Alexander Gibson, Alexander Gibson, Scottish National Orchestra | E Minor | 1 | 9A | 77 BPM | ||
| Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Angela Cheng, Jens Lindemann, CBC Radio Orchestra, Mario Bernardi | C Minor | 0 | 5A | 175 BPM | ||
| Adriana Lecouvreur, Act 2: Intermezzo | Francesco Cilea, Opera Australia Orchestra, Andrea Molino | F Major | 0 | 7B | 124 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 1, Introduction | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | B Major | 0 | 1B | 130 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 10, The Young Juliet | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | B Major | 0 | 1B | 130 BPM | ||
| Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| Nocturne, Op. 40, B. 47 | Antonín Dvořák, Panocha Quartet, Pavel Nejtek | B Major | 0 | 1B | 96 BPM | ||
| Symphony No. 8: III. Volante | Mihkel Kerem, Royal Liverpool Philharmonic Orchestra, Andrew Manze | B Major | 0 | 1B | 130 BPM | ||
| Serenade for Strings in C, Op. 48: 3. Elégie: Larghetto elegiaco | Pyotr Ilyich Tchaikovsky, Saito Kinen Orchestra, Seiji Ozawa | D Major | 1 | 10B | 69 BPM | ||
| Pelléas et Mélisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | E♭ Major | 0 | 5B | 94 BPM | ||
| Het Olifantje Babar, FP 129: Een ritje op moeders rug | Francis Poulenc, Frank Groothof, Othmar Maga, Het Residentie Orkest | C Major | 0 | 8B | 82 BPM | ||
| Trumpet Sonata: II. Adagio molto cantabile | Karl Pilss, Carole Dawn Reinhart, Jean-Claude Vanden Eynden | B Major | 0 | 1B | 130 BPM | ||
| Love's Labour's Lost, Op.28: 3. Soliloquy 3: On a day, alack the day - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 103 BPM | ||
| Piano Quartet: Nicht zu schnell | Gustav Mahler, Wiener Klaviertrio | F Major | 1 | 7B | 137 BPM |