Larry Polansky's ' "Chris Morphs 3" was released on its scheduled release date, November 8, 1997. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 115 in the song's album "The Frog Peak Collaborations Project". In this album, this song's track order is #33. Furthermore, we believe that the track originated from United States. In terms of popularity, Chris Morphs 3 is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Chris Morphs 3 by Larry Polansky having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Motion Lapse | Astral | B♭ Major | 0 | 6B | 81 BPM | ||
| Carbon Date Solo Cello | Ernst Reijseger | G Major | 3 | 9B | 120 BPM | ||
| Dream Dialogue | Brecht Ameel | A♭ Major | 2 | 4B | 172 BPM | ||
| Re Bo No | Simon Zöchbauer, Federspiel | B♭ Major | 2 | 6B | 82 BPM | ||
| Duchess Bridge | Larry Polansky | A Minor | 6 | 8A | 80 BPM | ||
| Lonesome Road: XLVIII. After Subono (II) | Larry Polansky, Martin Christ | E Minor | 2 | 9A | 75 BPM | ||
| Know No No | Iva Bittová, Marilyn Crispell, Benedicte Maurseth, David Rothenberg | D Major | 1 | 10B | 112 BPM | ||
| Ikaru | Fabio Caramuru | D Major | 1 | 10B | 75 BPM | ||
| Music for Marcel Duchamp (1947) | John Cage, Stephen Drury | B♭ Minor | 0 | 3A | 109 BPM | ||
| five songs for kate and vanessa: jig | Larry Polansky, Kate Stenberg | D Major | 1 | 10B | 119 BPM | ||
| PENSAMIENTOS | Maria Leonor Hernandez Duran | A Minor | 0 | 8A | 117 BPM | ||
| Urban March (Shadow) | Meredith Monk, Bruce Brubaker, Ursula Oppens | G Major | 1 | 9B | 82 BPM | ||
| Danse Sayyid (No. 26) | G. I. Gurdjieff, Thomas de Hartmann, Dietrich Bethge, Corinne Cordier, Herbert Lashner, Fernando Del Verme | G Minor | 2 | 6A | 74 BPM | ||
| 4 Memento Mori: I | Marcus Paus, Joachim Kwetzinsky | D♭ Major | 4 | 3B | 140 BPM | ||
| Folding | Iva Bittová, Marilyn Crispell, Benedicte Maurseth, David Rothenberg | D Major | 1 | 10B | 112 BPM | ||
| Dervishes on Mars | Roberto Musci | B Minor | 1 | 10A | 148 BPM | ||
| Piano & Violoncello 9 | Irena And Vojtech Havlovi | G Minor | 0 | 6A | 66 BPM | ||
| Tree Rings | David Tarrodi | B♭ Major | 1 | 6B | 131 BPM | ||
| LA SERENATA DE ASTARTOH | BlueDemon | B Minor | 2 | 10A | 64 BPM | ||
| Frozen | Roby Piano | B♭ Major | 2 | 6B | 82 BPM | ||
| Portone | Zeno Gabaglio | C Minor | 0 | 5A | 137 BPM | ||
| Klavierstück IV | Karlheinz Stockhausen, Miharu Ogura | F Minor | 0 | 4A | 83 BPM | ||
| Dense | Joel Schoch | C Major | 1 | 8B | 97 BPM | ||
| Tears of the Mourning Maiden | Jason Solowsky | B♭ Major | 2 | 6B | 82 BPM | ||
| Minipulsars, Pt. 2: Bing 1 | Tomasz Trzcinski | A♭ Major | 4 | 4B | 128 BPM |