On January 1, 1984, the song "Night-Lines" was released by Dave Grusin. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Night-Lines". In this album, this song's track order is #6. Based on our statistics, Night-Lines's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Night-Lines by Dave Grusin having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Affair In San Miguel | The Rippingtons, Steve Reid, Brandon Fields | G Major | 7 | 9B | 100 BPM | ||
| Evil The Weasel | Acoustic Alchemy | F♯ Minor | 6 | 11A | 102 BPM | ||
| Angels Crossing | Tom Grant | A Major | 5 | 11B | 165 BPM | ||
| Sticks & Stones | Ray Obiedo | D Minor | 5 | 7A | 118 BPM | ||
| Open All Night | The Rippingtons, Russ Freeman, Kenny G, Gregg Karukas, Tony Morales, Bill Lanphier, Steve Reid | F Minor | 6 | 4A | 117 BPM | ||
| And Then I Knew | Pat Metheny Group | G Minor | 4 | 6A | 114 BPM | ||
| 暖かさも一代きりなんて | Naoya Matsuoka | G Major | 6 | 9B | 102 BPM | ||
| At The Modern | Joyce Cooling | A♭ Major | 7 | 4B | 123 BPM | ||
| CHILLON-WELCOME - Re-Take | Naoya Matsuoka | F Major | 8 | 7B | 108 BPM | ||
| Spring Ain't Here | Pat Metheny Group | F Minor | 4 | 4A | 103 BPM | ||
| Oops | Steps Ahead | D Major | 6 | 10B | 90 BPM | ||
| Phone Home | George Shaw | F Major | 8 | 7B | 196 BPM | ||
| Further Notice | Larsen/Feiten Band | C Major | 5 | 8B | 127 BPM | ||
| Bachmania - Jesu, Joy of Man's Desiring / Love Is Blue / Whistle Bump | Deodato | C Major | 7 | 8B | 116 BPM | ||
| The Rover | Philippe Saisse | G Major | 5 | 9B | 99 BPM | ||
| Cannonball Run Theme | Chuck Mangione | B♭ Major | 5 | 6B | 168 BPM | ||
| Take the "A" Train | Deodato | G Major | 5 | 9B | 154 BPM | ||
| Night-Glo | Carla Bley, Steve Swallow | C Major | 2 | 8B | 96 BPM | ||
| WHEN RAIN STOPS | Noriki | A Major | 3 | 11B | 141 BPM | ||
| Universe of Two | Flim & The BB's | D Major | 2 | 10B | 101 BPM | ||
| African Night | Al Di Meola | D Major | 4 | 10B | 95 BPM | ||
| Hypnotique | Bob James | C Major | 4 | 8B | 134 BPM | ||
| Outward Bound | Quintana | C Minor | 4 | 5A | 180 BPM | ||
| Kristen | Jeff Lorber | D Major | 8 | 10B | 95 BPM | ||
| Window Shoppin' | Hiram Bullock | G Major | 9 | 9B | 102 BPM |