"クルク・ムック・ルップル" by 湯山昭, 湘南市民コール, 大久保洋子 had its release date on September 23, 1998. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. クルク・ムック・ルップル's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 日本合唱曲全集/湯山 昭 作品集1, so we believe that "クルク・ムック・ルップル" is a single. クルク・ムック・ルップル is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of クルク・ムック・ルップル by 湯山昭, 湘南市民コール, 大久保洋子 is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 24 Preludes, Op. 11: No. 15 in D-Flat Major - Lento | Alexander Scriabin, Mao Fujita | F Major | 1 | 7B | 149 BPM | ||
| エチュード 第5番 変ト長調 《黒鍵》作品10-5 | Fujiko Hemming | D♭ Major | 2 | 3B | 103 BPM | ||
| 熱帯魚 | 湯山昭, Haruko Ueda | A♭ Major | 1 | 4B | 109 BPM | ||
| Capriccio in B Minor, H. 349: I. Andante | Fanny Mendelssohn, Claire Huangci | D Minor | 0 | 7A | 97 BPM | ||
| Sonata in A, Kp. 208, L. 238 | Domenico Scarlatti, Dinara Klinton | A Major | 0 | 11B | 120 BPM | ||
| Variaciones sobre un tema di Chopin: Variation X (Evocation) | Federico Mompou, Jordi Masó | F♯ Minor | 0 | 11A | 69 BPM | ||
| Jazz Improvisation No. 11 | Leo Alfassy, Joanna Sochacka | C Major | 0 | 8B | 70 BPM | ||
| 日曜日のソナチネ II. Scherzando (踊る時計) | 湯山昭, 神野明 | G Major | 3 | 9B | 79 BPM | ||
| Davidsbündlertänze, Op. 6: No. 14, Zart und singend | Robert Schumann, Boris Giltburg | A♭ Major | 3 | 4B | 87 BPM | ||
| エチュード ハ短調 作品10-12 『革命』 | NAIX | F Minor | 2 | 4A | 69 BPM | ||
| Tenderness | Carlo Balzaretti | D♭ Minor | 1 | 12A | 68 BPM | ||
| ジュ・トゥ・ヴ(サティ) | Erik Satie, Shinya Kiyozuka | C Major | 0 | 8B | 70 BPM | ||
| 蝶々(《抒情小品集》第3集から)作品43の1 | エドヴァルド・グリーグ, Fujiko Hemming | F♯ Minor | 0 | 11A | 130 BPM | ||
| IV. Larghetto | Antonín Dvořák, Peter Breiner | G Major | 0 | 9B | 70 BPM | ||
| Kaiyukan | Niwamori Piano | D Major | 0 | 10B | 100 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 8, Op. 102: No. 48 in C Major, Op. 102, No. 6 | Felix Mendelssohn, Péter Nagy | B♭ Major | 0 | 6B | 110 BPM | ||
| 2 Canons: I. Nocturne. Canon by Inversion | Ethel Smyth, German Kitkin | D Minor | 0 | 7A | 97 BPM | ||
| Bach, JS / Arr. Saint-Saëns: Partita for Solo Violin No. 1 in B Minor, BWV 1002: VII. Tempo di borea | Johann Sebastian Bach, Stephen Hough | B Minor | 2 | 10A | 98 BPM | ||
| 雨の日のふんすい | ウィリアム L ギロック, Yuko Mifune | F Major | 0 | 7B | 64 BPM | ||
| Lyric Pieces Book 3, Op. 43: No. 1, Butterfly | Edvard Grieg, Stephen Hough | B♭ Major | 0 | 6B | 58 BPM | ||
| 24 Preludes, Op. 11: No. 9 in E Major - Andantino | Alexander Scriabin, Mao Fujita | F Major | 1 | 7B | 149 BPM | ||
| Piano Sonata No. 1 in F Minor, Op. 6: III. Presto | Julius Asal, Alexander Scriabin | B Minor | 0 | 10A | 69 BPM | ||
| ソナチネI | ウィリアム L ギロック, Yuko Mifune | F Major | 0 | 7B | 64 BPM | ||
| Andante in G Major, Op. 2 No. 1 (1836) | Fanny Mendelssohn, Helen Cawthorne | E Major | 2 | 12B | 79 BPM | ||
| L'art du chant appliqué au piano, Op. 70: No. 22, Dafydd y garreg wen | Sigismond Thalberg, Paul Wee | A♭ Major | 1 | 4B | 77 BPM |