"Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna" by Carl Orff, Franz Welser-Möst, London Philharmonic Choir, London Philharmonic Orchestra had its release date on June 16, 2012. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "The Best Classical Album in the World...Ever!". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna by Carl Orff, Franz Welser-Möst, London Philharmonic Choir, London Philharmonic Orchestra having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pomp and Circumstance March No. 1 in D Major, Op. 39 No. 1 | Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti | D Major | 4 | 10B | 119 BPM | ||
| Das Rheingold: Entry of the Gods into Valhalla | Richard Wagner, George Szell, The Cleveland Orchestra | D♭ Major | 1 | 3B | 85 BPM | ||
| Strauss, Richard: Also sprach Zarathustra, Op. 30: Opening | Richard Strauss, London Philharmonic Orchestra, Ben Gernon | G Minor | 3 | 6A | 81 BPM | ||
| Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" | Carl Orff, Bavarian Radio Symphony Orchestra, Daniel Harding, Bavarian Radio Chorus, Robert Blank | F Major | 4 | 7B | 149 BPM | ||
| The Heir | Emmanuel Jacob | D Major | 1 | 10B | 97 BPM | ||
| String Quintet in E Major, G. 282: III. Minuetto - Trio | Luigi Boccherini, David Parry, London Philharmonic Orchestra | A Major | 1 | 11B | 89 BPM | ||
| Gregorian Chant Templar in Cathedral | Rick Oli | G Minor | 3 | 6A | 127 BPM | ||
| Adagio | Tomaso Albinoni, Angèle Dubeau, Rachel Laurin | C Minor | 0 | 5A | 140 BPM | ||
| Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Itzhak Perlman, London Philharmonic Orchestra | E Major | 1 | 12B | 102 BPM | ||
| E che io son Medea | Maria Callas | D♭ Major | 2 | 3B | 126 BPM | ||
| Te Deum | Marc-Antoine Charpentier, Noel Rawsthorne | D Major | 3 | 10B | 71 BPM | ||
| Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix. | Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria Callas | D♭ Major | 1 | 3B | 81 BPM | ||
| Nelle tue mani - De "Gladiator" | Andrea Bocelli | D♭ Minor | 5 | 12A | 135 BPM | ||
| Preludio And Siciliana | Carmine Coppola | F Major | 1 | 7B | 169 BPM | ||
| Carmina Burana: Swaz hie gat umbe | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | C Major | 0 | 8B | 130 BPM | ||
| Saints from the Streets | Jeff Danna | F Minor | 2 | 4A | 108 BPM | ||
| How Beautiful | Smashtrax | E Major | 1 | 12B | 147 BPM | ||
| Concerto Grosso No. 8 in G Minor, Op. 6, "Christmas Concerto": Allegro | Arcangelo Corelli, David Parry, London Philharmonic Orchestra | D Major | 1 | 10B | 84 BPM | ||
| Pomp And Circumstance | London Philharmonic Choir | D Major | 3 | 10B | 95 BPM | ||
| Concerto for Violin and Strings in G minor, Op.8, No.2, R.315 "L'estate": 3. Presto (Tempo impetuoso d'estate) | Antonio Vivaldi, Alan Loveday, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 4 | 9B | 143 BPM | ||
| Templar Pre-Battle Chant | Rick Oli | G Major | 3 | 9B | 79 BPM | ||
| Orchestral Suite No. 3 in D Major, BWV 1068: Overture (Suite) No. 3 in D Major, BWV 1068: II. Air, "Air on the G String" | Johann Sebastian Bach, London Philharmonic Orchestra, Don Jackson | D Major | 8 | 10B | 140 BPM | ||
| Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | B Major | 3 | 1B | 114 BPM | ||
| Hector's Death | James Horner, Tanja Tzarovska | F Major | 1 | 7B | 120 BPM | ||
| El Éxtasis Del Oro - L'Estasi Dell'Oro - Tema principal | Ennio Morricone, Edda Dell'Orso | C Major | 7 | 8B | 100 BPM |